In response to the tremendous success of Good Faeries/Bad Faeries, Brian Froud has created an exciting divination kit that allows readers to draw on the power of faeries to understand their lives and predict their futures. Good Faeries/Bad Faeries, one of the most successful illustrated books in Simon & Schuster's history, established faeries as the favourite fantasy figures in America today. Now, Froud brings the appeal of his beautifully illustrated and evocative faeries, trolls, goblins, and green men to the popular practice of divination. A refreshing new approach to tapping into the connections between the natural world and the course of human events, this kit draws directly on the art and wisdom of Good Faeries/Bad Faeries and includes: An elegant, full-colour deck of sixty-six divination cards. An engaging two-colour book that introduces the most powerful an dimportant members of the faery kingdom; Easy to follow instructions on how to read the cards, with a special emphasis on gleaning answers to issues of spiritual enlightenment and personal direction; The Faerie's Oracle is sure to delight fans of tarot and other divination systems. Even those who spend their time speeding along the information highway are bound to be intrigued by the enchanted path the faeries unveil, a path that reveals the secrets of our souls and magically sheds light on things to come.
About the Author
Brian Foud is an artist and author who has created such bestselling books as Good Faeries/Bad Faeries, Lady Cottington's Pressed Faery Book and Faeries. The conceptual designer for Jim Henson's films, The Dark Crystal and Labyrinth, he lives in Devon, England.
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"Macbeth" comes out as one of William Shakespeare's darkest and murkiest plays, most likely as a result of being written during one of Shakespeare's darkest times in his own life. This play strays away from the more common Shakespearean formula that contains a hero and his demise resulting from a specific tragic flaw. In "MacBeth", the title character is not a hero, but rather a villian. MacBeth murders the king of Scotland to bring truth to a prophecy given to him by three witches (the famous "toil and trouble" sisters). After assuming the throne, MacBeth returns to the witches and requests to hear the circumstances of his own death. The witches tell MacBeth he cannot be killed by any "man of woman born." Uder a false assumption of near immortality, MacBeth relaxes his gaurd and perhaps displays his own tragic flaw of over confidence.
Focusing on the power corrupt and merciless villain MacBeth and his dastardly and influential wife Lady MacBeth, this play works as a twisted look into a mind poisioned with greed and hate. Though pessimistic and disturbing, this play must not be dismissed. It contains some of the most poetic language and beautiful lines ever to be written. It is no mystery that MacBeth stands as one of the most quoted works in literature. It is however a mystery that Shakespeare could create something so magnificient in a period when he saw life as "...a tale told by an idiot, full of sound and fury, signifying nothing."
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