Elaine Risley, a painter, returns to Toronto to find herself overwhelmed by her past. Memories of childhood - unbearable betrayals and cruelties - surface relentlessly, forcing her to confront the spectre of Cordelia, once her best friend and tormentor, who has haunted her for forty years. 'Not since Graham Greene has a novelist captured so forcefully the relationship between school bully and victim...Atwood's games are played, exquisitely, by little girls' LISTENER An exceptional novel from the winner of the 2000 Booker Prize
Reviews
'Not since Graham Greene or William Golding has a novelist captured so forcefully the relationship between school bully and victim...Atwood's power games are played, exquisitely, by little girls' LISTENER 'Irrestistible...This book is about life for all of us. She is one of our finest novelists. Read it' THE TIMES 'Atwood's taut and exquisite use of language makes all her books irresistable...' THE WEEK 'Margaret Atwood charts the psychological process of memory as compulsion and memory as a healing act through the character of Elaine Risley, an artist who returns to her home town of Toronto for a retrospective of her work. Elaine's visit triggers thoughts of her childhood with all the urgency of a bad rash. Dominating her reflections are her childhood "friends", three girls who wreak havoc on Elaine's self-esteem. Having spent her early childhood on the road with an entomologist father, a less than traditional mother and a brother more concerned with snot and snakes than the intricate behaviour codes of girls, the young Elaine is vulnerable to the indirect aggression of Cordelia, the ringleader of the group who seeks to improve her. Through Elaine's experiences, Margaret Atwood turns a keen and ironic eye on the training of females in North American culture: "All I have to do is sit on the floor and cut frying pans out of the Eaton's Catalogue with embroidery scissors, and say I've done it badly." The self-effacement of these girl-children barely masks a need for power that erupts all too often in cruel forms of play. This is a story in which the lines between victims and oppressors blur, in which forgiveness becomes an act of gaining power. Through humour, pain and insight, she makes us see, with surprise and recognition, details from childhood we may well have forgotten.' - Chris Kellett, From 500 Great Books by Women, AMAZON.CO.UK REVIEW
About the Author
Margaret Atwood is the author of more than thirty books of fiction, poetry and critical essays. The Handmaid's Tale, Cat's Eye and Alias Grace have all been shortlisted for the Booker Prize, and now Oryx and Crake for the 2003 Booker prize. She has won many literary prizes in other countries.
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Reviews
– Customer review on 26/09/2007
The long lasting effects of school yard bullying is the central concern of this highly acclaimed novel. Shifting back and forth from the protagonist’s past to present, the novel is clearly semi-autobiographical. I found this book tedious at times, and somewhat self-indulgent of Atwood. The main character, Elaine, an artist, is a largely unlikely character. Recommended only to women.
cats eye is simply haunting. readers of this book will no doubt see them selves at some point in their lives when faced with ridicule. it is a dark portrait of the lasting effects bullying can have on a person, ironically both parties (the bully and the victim). a not to be missed book
A cryptic book about an artist who returns to her home town to confront some of her childhood memories. The reader goes on a journey with the artist as she remembers some of the traumatic experiences she had when she was a girl and how it's affected her adult life. A good read but confusing at times.
a good book, though a bit confusing at times, involving a painter who has frequent flash backs of the sneaky torture she received from a childhood 'friend' that later affected her relationships and affected the way she saw and felt about her self. quite a good read, though a bit overly long
A fantastically well-written book of the effects bullying can have on a person throughout his or her life. Elaine, a painter, returns to her childhood home of Toronto for an art showcase, which brings back memories of her old friend, Cordelia. The story is told in two sections, one of the past, and one of the present day Elaine dealing with her life.
This is the first book I've read of this author, and it's highly recommended
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