In 1941, Irene Nemirovsky sat down to write a book that would convey the magnitude of what she was living through, not in terms of battles and politicians, but by evoking the domestic lives and personal trials of the ordinary citizens of France. She did not live to see her ambition fulfilled, or to know that sixty-five years later, "Suite Francaise" would be published for the first time, and hailed as a masterpiece. Set during a year that begins with France's fall to the Nazis in June 1940 and ends with Germany turning its attention to Russia, "Suite Francaise" falls into two parts. The first is a brilliant depiction of a group of Parisians as they flee the Nazi invasion and make their way through the chaos of France; the second follows the inhabitants of a small rural community under occupation who find themselves thrown together in ways they never expected. Nemirovsky's brilliance as a writer lay in her portrayal of people, and this is a novel that teems with wonderful characters, each more vivid than the next. Haughty aristocrats, bourgeois bankers and snobbish aesthetes rub shoulders with uncouth workers and bolshy farmers. Women variously resist or succumb to the charms of German soldiers. However, amidst the mess of defeat, and all the hypocrisy and compromise, there is hope. True nobility and love exist, but often in surprising places. Irene Nemirovsky conceived of "Suite Francaise" as a four- or five-part novel. It was to be a symphony - her War and Peace. Although only two sections were finished before her tragic death, they form a book that is beautifully complete in itself, and awe-inspiring in its understanding of humanity.
About the Author
Irene Nemirovsky was born in Kiev in 1903, the daughter of a successful Jewish banker. In 1918 her family fled the Russian Revolution for France where she became a bestselling novelist . She was prevented from publishing when the Germans occupied France and moved with her husband and two small daughters from Paris to the safety of the small village of Issy-l'Eveque (in German occupied territory). It was here that Irene began writing Suite Francaise. She died in Auschwitz in 1942.
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Reviews
– Customer review on 19/07/2007
Celebrated in pre-WWII France for her bestselling fiction, the Jewish Russian-born Némirovsky was shipped to Auschwitz in the summer of 1942, months after this long-lost masterwork was composed. Némirovsky, a convert to Catholicism, began a planned five-novel cycle as Nazi forces overran northern France in 1940. This gripping "suite," collecting the first two unpolished but wondrously literary sections of a work cut short, have surfaced more than six decades after her death. The first, "Storm in June," chronicles the connecting lives of a disparate clutch of Parisians, among them a snobbish author, a venal banker, a noble priest shepherding churlish orphans, a foppish aesthete and a loving lower-class couple, all fleeing city comforts for the chaotic countryside, mere hours ahead of the advancing Germans. The second, "Dolce," set in 1941 in a farming village under German occupation, tells how peasant farmers, their pretty daughters and petit bourgeois collaborationists coexisted with their Nazi rulers. In a workbook entry penned just weeks before her arrest, Némirovsky noted that her goal was to describe "daily life, the emotional life and especially the comedy it provides." This heroic work does just that, by focusing—with compassion and clarity—on individual human dramas.
A disappointment. Clarity was called for in this novel. Although the authoress tragically died as a victim of WW, I found the most touching part of the novel to be her story - the truth of her struggle to survive, found as an appendix at the end. Also touching was the scribbled and scratched out copy of Ms. Nemirovski's own handwriting on the inside of the cover.
The novel lacks a certain cohesiveness - one can only imagine that is because of the author's premature demise, as her aim for her work was for this to be the first of a series.
I found the characters to be generally unlikeable, although the descriptions of human nature ranging from disbelief to outrage to humour to be a very accurate portrayal of the depth of reactions to disaster and danger. A good read for those interested in honest portrayal of those times of uncertainty, and the descriptions of a first-hand observer of the German Occupation of France.
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– Customer review on 09/09/2007
