From the Beatles' recording engineer Geoff Emerick comes a fascinating memoirfeaturing never-before-told stories of the Fab Four.
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Special Beatles insights (they never end) from a recording engineer who started out as an assistant on ``I Want To Hold Your Hand''-at age 15. Copyright 2005 Reed Business Information.
Emerick was a fresh-faced young engineer in April 1966 when producer George Martin offered him the chance to work with the Beatles on what would become Revolver. He lasted until 1968, when tensions within the group, along with the band members' eccentricities and the demands of the job, forced him to quit after The White Album, exhausted and burned out. In this entertaining if uneven memoir, Emerick offers some priceless bits of firsthand knowledge. Amid the strict, sterile confines of EMI's Abbey Road studio, where technicians wore lab coats, the Beatles' success allowed them to challenge every rule. From their use of tape loops and their labor-intensive fascination with rolling tape backwards, the Beatles-and Emerick-reveled in shaking things up. Less remarkable are Emerick's personal recollections of the band members. He concedes the group never really fraternized with him-and he seems to have taken it personally. The gregarious McCartney is recalled fondly, while Lennon is "caustic," Ringo "bland" and Harrison "sarcastic" and "furtive." Still, the book packs its share of surprises and will delight Beatle fans curious about how the band's groundbreaking records were made. (Mar.) Copyright 2006 Reed Business Information.
Unlike other books detailing the group's recording history, Emerick's provides the kind of day-to-day experience of what it was like working with the world's most famous rock group. ("The Washington Post")
There have been hundreds of books about the Beatles, but only a handful from insiders. And for seven years, Emerick was a witness to history who worked alongside the Fab Four and producer George Martin. ("The Plain Dealer", Cleveland)
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Reviews
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What a fantastic insight into the workings of the Beatles from a great recording engineer. Loads of stuff I never knew, like Geoff coming up with close micing techniques, and Paul MaCartney creating "Penny Lane" from a piano track, no drums, no click - amazing! Very nicely written.
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