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Nothing If Not Critical
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Table of Contents

Nothing If Not Critical - Robert Hughes Introduction: The Decline of the City of Mahagonny
Part One: Ancestors
Hans Holbein
Caravaggio
France in the Golden Age
Anthony Van Dyck
George Stubbs
Sir Joshua Reynolds
Goya
Zurbarán
Nicolas Poussin
Guido Reni
Inigo Jones
Jean-Siméon Chardin
John Constable
Antoine Watteau
Part Two: Nineteenth Century
German Romanticism
Edgar Degas
Courbet in Brooklyn
John Singer Sargent
Augustus Saint-Gaudens
Winslow Homer
James Whistler
Pre-Raphaelites
Camille Pissarro
Thomas Eakins
Part Three: Into Modernism
Toulouse-Lautrec
Auguste Rodin
Van Gogh and Cloisonnism
Édouard Manet
Henri Rousseau
Vincent van Gogh, Part 1
Vincent van Gogh, Part 2
Paul Gaugain
Part Four: Europeans
René Magritte
Vasily Kandinsky
Giorgio de Chirico
Julio Gonzalez
Max Beckmann
Henri Matisse in Nice
Futurism
English Art in the Twentieth Century
Oskar Kokoschka
Giorgio Morandi
Late Picasso
Part Five: Americans
Thomas Hart Benton
Deco and Fins
Morris Louis
Diego Rivera
David Smith, Sculptures
David Smith, Drawings
Lee Krasner
Milton Avery
Jackson Pollock
Arshile Gorky
Joseph Cornell
Edward Hopper
Norman Rockwell
Mark Rothko in Babylon
Andy Warhol
Part Six: Contemporaries
Saul Steinberg
James Turrell
R. B. Kitaj
Roy Lichenstein
Nam June Paik
Richard Diebenkorn
Komar and Melamid
Howard Hodgkin
Louise Bourgeois
Philip Pearlstein
Robert Motherwell
Sandro Chia
Malcolm Morley
Julian Schnabel
Jean-Michel Basquiat: Requiem for a Featherweight
Willem de Kooning
Francis Bacon
Francesco Clemente
James Rosenquist
Alex Katz
Susan Rothenberg
Anselm Kiefer
Elizabeth Murray
David Hockney
Donald Sultan
Leon Kossoff
Eric Fischl
Sean Scully
Christopher Wilmarth
Bernard Berenson
Tom Wolfe: From Bauhaus to Our House
Brideshead Redecorated
Jean Baudrillard: America
Art and Money
The SoHoiad: or, The Masque of Art
Index

About the Author

ROBERT HUGHES was born in Australia in 1938 and has lived in Europe and the United States since 1964.  Since 1970, he has been art critic for Time magazine.  He has twice won the College Art Association’s F.J. Mather Award for distinguished criticism.  His books include The Art of Australia (1966), Heaven and Hell in Western Art (1969), and a chronicle of the settlement of Australia, The Fatal Shore (1987).  His study of modern art, The Shock of the New (1981), is being reissued in an updated edition simultaneously with the publication of Nothing If Not Critical, Mr. Hughes lives in Manhattan and on Long Island.

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