Contents: Preface, John S. Partington; Foreword, Jorge Arévalo Mateus; Part I 'All You Can Write Is What You See': Woody Guthrie's Songs as Diagnosis and Cure: 'Pastures of plenty'; Woody Guthrie and the New Deal, Richard Nate; 'There's a better world a-coming': resolving the tension between the urban and rural visions in the writings of Woody Guthrie, John S. Partington; Woody Guthrie and the cultural front, Will Kaufman; Playing legend maker: Woody Guthrie's 'Jackhammer John', Mark Allan Jackson; 'Words to shoot back at you': Woody Guthrie's 'war' against German Fascism, Martin Butler. Part II Creating an Icon: The (Self-)Imaging of Woody Guthrie: 'Always on the go': the figure of the hobo in the songs and writings of Woody Guthrie, Martin Butler; 'Hard travelin': constructing Woody Guthrie's dust bowl legacy, Jeff Morgan; Woody Guthrie, aka 'the guy who wrote This Land is Your Land', Frank Erik Pointner. Part III Partnering and Siring: Woody Guthrie in Comparative Perspective: Will Geer and Woody Guthrie: a folk music friendship, Ronald D. Cohen; The performer and the promoter, Ed Cray; Good man, honest man: Woody Guthrie, Bob Dylan and the role of the folk outlaw, D.A. Carpenter; Bibliography; Index.
John S. Partington has published five books, including Building Cosmopolis: The Political Thought of H.G. Wells (Ashgate, 2003), H.G. Wells in Nature, 1893-1946: A Reception Reader (2008) and The Reception of H.G. Wells in Europe (2005). His special interest is in political biography, having published on George Orwell, Phoebe Cusden, Lorenzo Quelch, Richard Coudenhove-Kalergi and Clara Zetkin. He is currently researching the reception and influence of Clara Zetkin in Britain. John S. Partington. Jorge Arevalo Mateus. Richard Nate. Will Kaufman. Mark Allan Jackson. Martin Butler, Martin Butler. Jeff Morgan. Frank Erik Pointner, Ronald D. Cohen. Ed Cray. D.A. Carpenter.
Classified as 'Research Essential' by Baker & Taylor YBP Library Services A Yankee Book Peddler UK Core Title for 2011 'Making excellent use of material from the Woody Guthrie Foundation and Archives in New York, this book examines Woody’s image, his songwriting, his politics and his friendships. In the process, a few myths are questioned and some new dimensions of his life and work are revealed. The result is a welcome portrait of Woody as a twentieth century figure with much to offer to the twenty-first. The book serves as an excellent introduction to Guthrie’s work as well as providing unexpected perspectives even for those of us who thought we knew all about him.' Dave Laing, Institute of Popular Music, University of Liverpool, UK '... a welcome addition to the scholarly literature. It should especially interest students of American folk music and American culture... Recommended.' Choice 'The contributors to this fantastic edited volume effectively answer the questions posed by Jorge Arévalo Mateus in the foreword: "What is the source of Guthrie's enduring cultural value? Why are artists and academics alike drawn to the mythology and reality of his life and times?". Using recent and traditional analytical frameworks from a variety of disciplines, these scholars unpack Guthrie's expressive practices, iconicity, and political aesthetics. This volume ushers in a new generation of scholarship in "Guthrie Studies". This book would be helpful in both undergraduate classes and graduate seminars. Classes that focus on the formation of artist identities, twentieth-century American popular music, the Dust Bowl, music and migration, and Bob Dylan would find many articles in this volume enlightening.' Journal of Folklore Research 'In every sense an excellent book, exciting, surprising and enlightening!' Folker ’This collection of essays contains a considerable wealth of information about Woody Guthrie: his music, his political principles, and his life and work
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