Art historian, cartoonist, and journalist Garry Apgar has taught art history, French literature, and cross-disciplinary topics at Brown University, Princeton University, the University of Delaware and Southern Connecticut State University. He is a co-founder and Secretary-Treasurer of The Voltaire Society of America, co-author of The Newspaper in Art (1996), and editor of A Mickey Mouse Reader (University Press of Mississippi, 2014), an anthology of articles and essays by, among others, Diego Rivera, E. M. Forster, Maurice Sendak, Stephen Jay Gould, John Updike, and Walt Disney himself.
"I use the following criteria to judge a Disney book: - Is the
subject matter compelling?
- Does the text contain new information?
- Is it easy to read?
- Are there endnotes or sources for the information that give me
confidence that what I'm reading is accurate?
- Does the book include visual material I've not seen before? For
Mickey Mouse: Emblem of the American Spirit the answer to all five
questions is an enthusiastic yes. This huge illustrated volume is
clearly one of the most important recent Disney history books and
will remain a key reference for years to come. I learned a lot by
reading it and discovered dozens of visual documents I was not
aware of. I will read and re-read with tremendous delight Garry
Apgar's magnum opus."--Didier Ghez, proprietor of the Disney
History blog, author of Disney's Grand Tour (2013), They Drew As
They Pleased: The Hidden Art of Disney's Golden Age (2015), and
editor of the Walt's People series of books (2005- ).
"This is a beautifully illustrated, well researched "must have"
book. Having researched for many years and written my own history
of Mickey Mouse, I was amazed and delighted by all the things I had
not known or seen before. Each page is filled with wonders, like
the photo of young John Kennedy Jr. meeting a costumed Mickey at
the New York World's Fair. The book is incredibly accurate and
Apgar's research can be trusted. If you are a Disneyphile or love
Mickey or pop culture, you should stop reading this review and
immediately buy a copy for your personal library. This was one of
the final book projects approved and supported enthusiastically by
Walt's daughter, the late Diane Disney Miller, and I am saddened
that she never got to see it published, but I also know she would
be proud of this exemplary piece of work that will be used as a
primary reference for generations to come."--Jim Korkis is a Disney
historian who has authored countless articles, blog posts, and
books, including The Revised Vault of Walt (2012) and The Book of
Mouse: A Celebration of Walt Disney's Mickey Mouse (2013).
"With a torrent of Disney books issuing from various presses, it is
no easy task deciding which ones are worthwhile. Mickey Mouse:
Emblem of the American Spirit raises the bar substantially because
it presents masses of new material and prompts fresh thinking about
Walt Disney and Mickey. A gorgeous -- scholarly yet buoyant --
volume, it contains 323 plates covering Disney representations of
the Mouse (production art, comics, toys, etc.) as well as
non-Disney images that, together, illustrate the many changes in
Mickey's "look" over the years. There are photos of the Beatles,
Madonna, and graffiti on the Berlin Wall that demonstrate how
significant Mickey has been as a global symbol of what Apgar calls
"the American spirit." I love the "Mickey" cartoons by Charles M.
Schulz, David Levine, and Robert Grossman. And what a surprise to
see a comic strip panel that Walt signed for Sergei Eisenstein and
a "Mickey Mouse Diagram" used as a nautical chart for the invasion
of France on D-Day. Examples of Pop Art further document how
Mickey's image has escaped Disney corporate control and is now
deeply ingrained in the national and global consciousness."--Robert
Neuman is Professor of Art History at Florida State University, and
a specialist in Baroque and Rococo art who has published several
articles on Disney.
"Mickey Mouse: Emblem of the American Spirit is a magnificent book.
It is well written and the research is exhaustive. The production
job is impeccable. While nothing may ever be truly "definitive,"
this one is as definitive a study as we may ever have of Mickey. I
am envious and only wish I had written it."--M. Thomas Inge is
Professor of Humanities at Randolph-Macon College (Ashland,
Virginia) and a leading authority on popular culture and comic art
history.
Ask a Question About this Product More... |