Melbourne, 1929. The year starts off for glamorous private investigator Phryne Fisher with a rather trying heat wave and more mysteries than you could prod a parasol at. Simultaneously investigating the apparent suicide death of a man on St Kilda beach and trying to find a lost, illegimate child who could be heir to a wealthy old woman's fortune, Phryne needs all her wits about her, particularly when she has to tangle with a group of thoroughly unpleasant Bright Young Things. But Phryne Fisher is a force of nature, and takes in her elegant stride what might make others quail, including ghosts, Kif smokers, the threat of human sacrifices, dubious spirit guides, and maps to buried pirate treasure...
About the Author
Kerry Greenwood is the author of more than forty novels, six non-fiction works and the editor of two collections. Previous novels in the Phryne Fisher series are Cocaine Blues, Flying too High, Murder on the Ballarat Train, Death on the Victoria Dock, Blood and Circuses, The Green Mill Murder, Ruddy Gore, Urn Burial, Raisins and Almonds, Death Before Wicket, Away with the Fairies, Murder in Montparnasse, The Castlemaine Murders, Queen of the Flowers, Death by Water, Murder in the Dark and, most recently, A Question of Death: An illustrated Phryne Fisher treasury. She is also the author of the Corinna Chapman crime series, several books for young adults and the Delphic Women series. When she is not writing she is an advocate in Magistrates' Court for the Legal Aid Commission. She is not married, has no children and lives with a registered Wizard.
Reviews
Everyone calls the drowning of young Melbourne antiques dealer Augustine Manifold a suicide-except for his distraught mother and Phyrne Fisher, the heroine of Greenwood's long-running series set in 1920s Australia (Murder in the Dark, etc.). Brainy, beautiful, blue-blooded and rich to boot, the enviably stylish PI somehow manages to juggle the demands of two adopted daughters, an exotic lover and a full social calendar with multiple cases, including a hunt for the illegitimate heir to a fortune-all while rarely missing a morsel of her cook's inspired creations. Greenwood keeps the action moving as swiftly as milady's Hispano-Suiza, save for the initially confusing flashbacks at the end of many chapters that eventually become pieces in the solution of the Manifold puzzle. But there's no quibbling with the author's ability to create a sybaritic piece of period escapism. As Phryne's mates would say approvingly: Bonzer! (July) Copyright 2009 Reed Business Information.
It is 1929, and Melbourne PI Phryne Fisher (Queen of the Flowers) has been hired to prove whether an antiques dealer committed suicide or was murdered. She is also looking for the illegitimate child of a rich woman, which will upset the inheritance of her remaining relatives. Fisher uses every resource at her disposal, and her adopted daughters, her sister, and lover all add spice and a willingness to investigate. Verdict Cleverly plotted and one of one of Greenwood's best in this long-running historical series. Copyright 2009 Reed Business Information.
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Reviews
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It's been a long time since I caught up with Phryne and her household of adopted daughters, faithful retainer, dedicated companion, cook and exotic lover. Part of the reason for that was the feeling that it was all a little same old same old. What I did find with MURDER ON A MIDSUMMER NIGHT is that sometimes a short visit with old friends is just plain good fun.
If you're going to live in the 1920's in Melbourne, in the middle of a heatwave you'd be quite comfortable if you had Phryne's life. You'd be less happy if you were an aspiring antique dealer and purveyor of high class junk whose body was found in the water at St Kilda beach. His mother simply does not accept suicide and Phryne, and her entire crime-busting household must prove that his death was anything but. Meanwhile Phyrne is also called upon to resolve an old mystery for the family of a recently deceased mother - is there an illegitimate child from before her marriage?
The mysteries that occupy Phryne's time in this book are interesting, and there are little snippets of investigative technique that sit well within the period of the book (such as working out the contents of the lungs of a drowning victim). Luckily that timeframe makes any odd procedural elements just not an issue. Of course, most of the investigating seems to be done by Phryne swanning around parties and such-like, getting people to talk to her, although Dot - her faithful companion is not above donning her good hat and heading out for some fact checking and tree shaking. Perhaps that's one of the strengths of these books now - there's more of an ensemble cast, all of whom have their roles and the story seems more multi-layered because of it. There's also those lovely little reminders of time gone by. Alas the idea of a block of ice and a fan somehow being old fashioned just made this reader feel desperately old as that was a well known trick when we were children (albeit we needed to be ill for it to be called into play). Now if there's 1 or 2 people left out there who haven't read these books, Phryne's sex life is a tiny bit risqué - not so that you'd notice these days - but it's still a little titbit that gives the books that little extra.
The Phryne Fisher books are undoubtedly highly entertaining, lovely little pieces of fun wrapped up in a mystery and an idyllic lifestyle. This isn't a series that I work at keeping up with - and I have missed a lot of books in the middle which one day I will try and catch up with, but it is nice to know they are out there waiting. For readers who are looking for something fun, light and just a little bit saucy, MURDER ON A MIDSUMMER NIGHT would be a wonderful way to spend some time.
If only there were more series like the Phryne Fisher series. I have enjoyed every book so far and wait in anticipation for Phryne's next adventure. Highly recommended.
I began to read an earlier Phryne Fisher mystery a few years ago, but between dealing with the main character’s name and an atmosphere that reeked of the knowing the right thing to eat and the right thing to drink, I didn’t get very far.
However, Phryne Fisher is more charming than her name, her taste in everything that smacks of money is up with the best, and her creator has a nice line in wit and humour. The last undercuts the otherwise hothouse atmosphere of a world in which nearly everyone has plenty of money, and those that don’t speak funny. So I gave her a second try.
In this, Fisher’s 17th outing, she solves two mysteries at once, one to do with a ‘lost’ child, and the other the murder of a young antique dealer. Neither mystery is quite up to the mark of an Agatha Christie, but the details are interesting enough, and the journey towards solving them has plenty of curiosities and side-turns along the way.
If you like mysteries that don’t tax the brain too much, this will do nicely.
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