Othello is one of the ten most popular titles from the best-selling Cambridge School Shakespeare series now available in a new edition. The new edition includes new and revised activities throughout, new black and white photos from the widest selection of stage and film interpretations of the plays, and a larger glossary providing extra support with the language of Shakespeare. In addition, expanded sections on characters, language, and performance history offer the best support for the KS3 SATs and GCSE coursework. The new edition also includes exciting new features to bring the play to life such as a visually stunning eight-page section packed with full-colour production photographs and a striking new cover design. The new edition remains faithful to the Cambridge School Shakespeare active approach, which treats the play as theatre and the text as a script to be acted, explored and enjoyed.

Table of Contents

List of characters; Othello; What is the play about?; Characters; The language of Othello; Is Othello a racist play?; 'Far more fair than black'; Critics' forum; Coroner's investigation; Othello in performance; William Shakespeare.

Reviews

More than a retelling, this aptly termed "reconceptualization" provocatively modernizes Shakespeare's play. As in the original, the middle-aged general Othello the ``moor'' and young European noblewoman Desdemona fall in love and marry secretly. But Lester (To Be a Slave; John Henry) transplants the action from Venice and Cyprus to Elizabethan England and turns Iago and Emily into Africans like Othello, so that the three of them share a distinctly non-European point of view. Iago's envy of Othello and ability to whip him into a jealous rage at Desdemona are thus cast in a new light, though the tragic outcome remains the same. While the ending feels abrupt, Lester's novel succeeds in holding up a mirror to contemporary society. Phrases and passages directly based on Shakespeare's language are printed in a different typeface, a device that may distract the reader but eases comparisons with the original work. Ages 8-12. (Apr.)

Gr 7-10-A lively, teen-friendly book with all the basics, plenty of additional information, and appealing color photos and illustrations. Some knitting experience would serve crafters well, although the introduction is encouraging to newcomers. Topics include reading a yarn label, colors, needles and other tools, reading patterns, mistakes, and more. Various hues are used for the large typeface headings, and individual creativity is encouraged for projects. A few DIY inserts are interspersed throughout, such as a page on hosting a knitting party. Items to make include a faux fur stole, a ponytail roll-brim hat, leg warmers, and a lacy double-diamond scarf. All are accompanied by a color photo of a teen model and the completed garment. Back matter includes lists of yarn companies, online knitting and craft resources, magazines, books, online organizations, and "Meet the Designers" (readers can ask questions directly, online).-Augusta R. Malvagno, Queens Borough Public Library, NY Copyright 2005 Reed Business Information.

The new "Sourcebooks Shakespeare" series is designed to attract a wide audience by emphasizing performance as well as text. A glossary and photos from contemporary stage and film productions accompany the text of each play, and related essays offer further insights. Each title contains an integrated audio CD that is narrated by British Shakespearean actor Sir Derek Jacobi and features excerpts from memorable performances of key scenes. The series boasts stellar credits: its advisory board includes Shakespeare scholars David Bevington and Peter Holland and Chicago Shakespeare Theater director Barbara Gaines. Among the contributors are several more Shakespeare scholars as well as actress Janet Suzman and Andrew Wade, formerly head of voice for the Royal Shakespeare Company. Both volumes begin with Thomas Garvey's "In Shakespeare's `Time,' " an essay that sets the playwright in historical context, and end with "The Cast Speaks," in which casts of 2005 productions discuss their approach to the characters they portrayed. The CD accompanying the Othello volume features a variety of noteworthy performers in the title role, including Paul Robeson, Paul Scofield, and Edwin Booth; and the CD accompanying the Romeo and Juliet volume presents recordings of Kate Beckinsale, Dame Peggy Ashcroft, and Ellen Terry as Juliet; Kenneth Branagh and Michael Sheen as Romeo; Sir Derek Jacobi as Mercutio; and Sir John Gielgud as Friar Laurence. With the number of film adaptations of Shakespeare's works in recent years, public libraries should seriously consider acquiring this series.-Carolyn M. Mulac, Chicago P.L. Copyright 2005 Reed Business Information.