Using a variety of analytical and descriptive tools, this nondenominational, innovative, and solid approach to the Bible goes deeply into biblical text to uncover new insights about who God is. It provides a fresh and insightful way for women to read the Bible outside the patriarchal framework that has predominated, going beyond stereotypes and male-centered traditional teachings to illuminate how women can better relate both to the Bible and to God.
Table of Contents
Note to the Reader. Starting the Journey: How to Begin. 1. In the Beginning. 2. The Seed and the Serpent. 3. The Breasted One. 4. A Gathering of Women. 5. I Am That I Am. 6. Rough Places, Plain Places. 7. The Woman Alone. 8. Psalms. 9. Kings, Queens, Widows, Prophets. 10. The Voice and Job. 11. Crying in the Wilderness. 12. The Eyewitnesses. 13. A Few Simple Rules. 14. Who Tells the Story? 15. Spreading the Word. 16. The Spirit and the Bride. Bibliography. The Author.
Reviews
"...Bundesen's knowledge of the Bible is clear throughout." (Publishers Weekly, November 27, 2006)
About the Author
Lynne Bundesen is the author of So the Woman Went Her Way, selected as one of the 25 Best Books of the past 25 years by the Washington National Book Club in 2003. A former faculty member at Boston Theological Institute and a Hearst Syndicate columnist, she is a three-time winner of the Religion in Media award.
From The Publisher:
A gently revolutionary reading of the Bible that unveils the creative power of the feminine face of God
Using a variety of analytical and descriptive tools, this nondenominational, innovative, and solid approach to the Bible goes deeply into biblical text to uncover new insights about who God is. It provides a fresh and insightful way for women to read the Bible outside the patriarchal framework that has predominated, going beyond stereotypes and male-centered traditional teachings to illuminate how women can better relate both to the Bible and to God.
Lynne Bundesen (Santa Fe, NM) is the author of So the Woman Went Her Way (0-671-67702-0), selected as one of the 25 Best Books of the past 25 years by the Washington National Book Club in 2003. A former divinity school professor and Hearst Syndicate columnist, she is a three-time winner of the Religion in Media award.
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Reviews
– Customer review on 15/08/2007
I can’t figure out who this book is written for. It’s one in a series entitled the “Woman’s Guide to the Bible” but it is not one that is likely to be picked up by any church study group soon, and it’s certainly not for a book for female biblical scholars.
So I figure that it could be written for women who are interested in exploring Christianity, but are not too excited about an image of God that involves a really, really angry dad. And to that end it does provide food for thought, but unfortunately it tastes a little bit too like diet lime jelly for my liking.
Bundesen starts the book with what I can only describe as a brave and audacious approach. She names the fact that every version of the Biblical text that is read by you, (unless you are an ancient Hebrew or Koine Greek scholar) is a translation. Fine so far, it’s the end of page one and I’m still with her.
But by page two it’s all beginning to get a bit worrying. She provides her own translation of the Hebrew term Ruah Elohim, (Genesis 1:1-2), which is usually translated as Spirit of God, or God’s Spirit. With no authoritative source for her claim as far as I could find, she argues that this phrase can be grammatically classified as a feminine plural form of noun. God, she argues, is described as a feminine Spirit.
Now I have only done seven weeks of Hebrew, but even that was enough for me to understand that although the words may originally have had a feminine form (like ship, or church do in English) that does not mean that you can classify the thing described as female. I also know that the plural ending of Elohim (im) is a masculine ending. I also know that no language scholar is likely to give her claim hearty endorsement.
So, it’s at the end of page two and she’s rattled me a bit.
Having established that the Creator is not a large man, Bundesen takes us through various texts to illustrate how the creative feminine spirit of God can be located throughout the Bible. For instance she asks – “What if Job is not a struggle between God and the devil over a man’s soul? What if the story of Job can be read as an account of how the female nature of God silences traditional theology and restores spiritual creation to our consciousness?”
One feminist approach to biblical exploration is to name the experiences of women, and then to analyse the way that biblical texts have been used to shape that reality. This approach is designed to acknowledge the reality of people’s lives and to work out how the biblical text and that lived experience might be woven together. It’s an approach rather like a conversation, some bits we hear, others we reject, others are life changing.
I like the feminist approach because it acknowledges the context of the reader and the fluidity of interpretation. Such an approach would never, ever claim that Job was a book about a fight between God and the devil over a man’s soul. Anybody who has read Job would not be likely to claim that.
So it’s here she loses me.
It’s a nice try, but I’m not sure it’s going to do be particularly helpful to that woman who might have picked up the book to find a way of understanding Christianity. The Bible is a text that is rich with imagery and significance, masculine, feminine, gender neutral…the works. A better introduction to these images would be to lose the dodgy exegesis.
P.S. Bundesen does write easily, but the book starts to get a bit sketchy and ragged toward the end. I am not sure who edits the texts at Jossey Bass but they should be doing a better job than this.
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