Joe R. Lansdale has written more than a dozen novels in the suspense, horror, and Western genres. He has also edited several anthologies. He has received the British Fantasy Award, the American Mystery Award, six Bram Stoker Awards, and the 2001 Edgar Award for best novel from the Mystery Writers of America. He lives in Nacogdoches, Texas, with his family.
“[Sunset and Sawdust is] filled with turns and twists, nastiness,
broad humor, moments of grace. . . . Lansdale is a storyteller in
the great American tradition.” –The Boston Globe
“A wonderfully nasty piece of work [that] inspires
I-can’t-believe-this laughter. . . . Very entertaining.”
–Newsday
The opening . . . will grab unsuspecting readers by the lapels and
pull them right in. . . . Lansdale's prose--laconic and
sarcastic--is so thick with slang and regional accent that it's as
tasty as a well-cured piece of beef jerky." --The Denver Post
"Lansdale is an exceptional storyteller . . . readers will feel the
Texas heat and hear the story in the author's unique East Texas
drawl. The vivid characterization will make readers cheer for the
protagonist and boo the villain." --Rocky Mountain News
“Delivers the unexpected and bizarre that his fans have come to
expect. . . . The narrative is entertaining, but Lansdale’s
patently unvarnished storytelling–backwoods and brash all at
once–is the real reason to crack this cover.” --Texas Monthly
"Funny, bloody and bizarre. . . . Another five-star doozy of a tale
from an immensely talented and original storyteller." --The Flint
Journal
“Sunset Jones is the kind of woman that men who drink in East Texas
bars would call a ‘pistol.’ As a tornado rips through the sawmill
camp town of Rapture, in the rousing opening scene of Joe R.
Lansdale’s historical barnburner Sunset and Sawdust, Sunset finally
puts a stop to her husband Pete’s bloody beatings. . . . Soon
Sunset has her own posse, including a wonderful dog whose abject
adoration of the fiery gunslinger pretty much sums up this reader’s
feelings.” --The New York Times Book Review
"A first-rate whodunnit. . . . [Lansdale] knows how to tell a
story." --The Globe and Mail (Toronto)
“Sly, easy-paced and so comfortable in its setting that it becomes
almost seductive. This is what good storytelling is all about.”
--Arizona Republic
"Lansdale can catch that meandering East Texas twang in his
writing, but just as quickly he can tighten the plot and our
stomachs with a turn of phrase. . . . Lansdale gives us both
atmosphere and action." --Winston-Salem Journal
"Surrealistic. . . . Unpredictable. . . . A darker kind of
storytelling." --Pittsburg Tribune-Review
The prolific Lansdale's novels (The Bottoms; Rumble Tumble; Bad Chili) are always wild and wooly, and this redneck noir stand-alone is no exception. Lansdale has shifted the time frame to the 1930s, but the novel is still set in his usual series location, East Texas-and it's still peopled by the oddest bunch of characters ever to leap off the page. The book opens in the midst of a cyclone as beautiful red-haired Sunset Jones is being beaten and raped by her no-good husband, Pete, in their ramshackle home. Fearing for her life, Sunset picks up Pete's .38 revolver (he's the town constable) and shoots him dead, just as the cyclone carries off most of their house. After recovering from the beating ("She felt as if she had been set on fire and put out with a yard rake"), she's elected to complete the remainder of Pete's term as constable, and she's more than equal to the task. A couple of dead bodies and a land fraud scheme come to light, along with some of the creepiest low-life bad guys to ever crawl out from under a rock. The mystery is only mildly engrossing here; the great pleasure of Lansdale's work lies in his pitch-perfect vernacular prose ("He had greeted them as they climbed into the car, and they hadn't said so much as eat shit or howdy"). The book opens with a cyclone, ends with a plague of grasshoppers and in between there's insanity, extreme violence, sex, grotesques aplenty and an excellent dog. What's not to like? (Mar.) Forecast: Lansdale's fan base is rabidly loyal and has been slowly expanding. A hip, new-look cover may help push him out of the realms of cult favorite and into the literary mainstream. Copyright 2004 Reed Business Information.
"[Sunset and Sawdust is] filled with turns and twists,
nastiness, broad humor, moments of grace. . . . Lansdale is a
storyteller in the great American tradition." -The Boston
Globe
"A wonderfully nasty piece of work [that] inspires
I-can't-believe-this laughter. . . . Very entertaining."
-Newsday
The opening . . . will grab unsuspecting readers by the lapels and
pull them right in. . . . Lansdale's prose--laconic and
sarcastic--is so thick with slang and regional accent that it's as
tasty as a well-cured piece of beef jerky." --The Denver
Post
"Lansdale is an exceptional storyteller . . . readers will feel the
Texas heat and hear the story in the author's unique East Texas
drawl. The vivid characterization will make readers cheer for the
protagonist and boo the villain." --Rocky Mountain News
"Delivers the unexpected and bizarre that his fans have come to
expect. . . . The narrative is entertaining, but Lansdale's
patently unvarnished storytelling-backwoods and brash all at
once-is the real reason to crack this cover." --Texas
Monthly
"Funny, bloody and bizarre. . . . Another five-star doozy of a tale
from an immensely talented and original storyteller." --The
Flint Journal
"Sunset Jones is the kind of woman that men who drink in East Texas
bars would call a 'pistol.' As a tornado rips through the sawmill
camp town of Rapture, in the rousing opening scene of Joe R.
Lansdale's historical barnburner Sunset and Sawdust, Sunset
finally puts a stop to her husband Pete's bloody beatings. . . .
Soon Sunset has her own posse, including a wonderful dog whose
abject adoration of the fiery gunslinger pretty much sums up this
reader's feelings." --The New York Times Book Review
"A first-rate whodunnit. . . . [Lansdale] knows how to tell a
story." --The Globe and Mail (Toronto)
"Sly, easy-paced and so comfortable in its setting that it becomes
almost seductive. This is what good storytelling is all about."
--Arizona Republic
"Lansdale can catch that meandering East Texas twang in his
writing, but just as quickly he can tighten the plot and our
stomachs with a turn of phrase. . . . Lansdale gives us both
atmosphere and action." --Winston-Salem Journal
"Surrealistic. . . . Unpredictable. . . . A darker kind of
storytelling." --Pittsburg Tribune-Review
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