Known for his meaty seriocomic novels--expansive works that are simultaneously lowbrow and highbrow--Robbins presents a generous sampling of his briefer writings.

Reviews

A cult novelist turns to nonfiction, some of it published for the first time. There's even an ode to the tomato sandwich. Copyright 2005 Reed Business Information.

The author of Even Cowgirls Get the Blues and Still Life with Woodpecker has regularly published shorter pieces in Esquire, Playboy, the New York Times and elsewhere. The whimsical, quixotic nature of that work comes through in this hit-and-miss affair-one that remains woefully short on fiction, focusing mostly on the author's travel writing, essays, celebrity profiles and poetry. The best travel piece, "The Day the Earth Spit Wart Hogs," finds Robbins traversing a big game park in Tanzania. His commentary on the '60s, the legacy of burger mogul Ray Kroc and the prose of Thomas Pynchon remains trenchant and provocative; other pieces are dated to the point of irrelevance (his foreword to Terrance McKenna's 1992 The Archaic Revival). As a poet, Robbins is obvious and heavy-handed, but occasionally he hits the kind of mystical note that characterizes "Catch 28" and makes his florid imagery work. The fiction is brief and mostly forgettable. But an essay called "In Defiance of Gravity" starts as a riff on an obscure club and winds up being an ode to the combination of unconventionality and humor that define Robbins's career as a writer. Agent, Phoebe Larmore. (Sept. 6) Copyright 2005 Reed Business Information.

“A single sentence from Robbins is worth the price of admission.” –"Columbus Dispatch "(Ohio)
“Hilarious.”—"New York Times Book Review
"“A treat. Robbins is fearless, original, mind-expanding and funny as hell.”—"San Diego Union-Tribune"