One of the most celebrated works of classic literature for children, THE WIND IN THE WILLOWS follows Mole, Rat, Toad and Badger from one adventure to the next - in gipsy caravans, stolen sports cars, to prison and back to the Wild Wood. A story of animal cunning and human camaraderie, this remains a timeless tale nearly 100 years after its publication.

About the Author

Kenneth Grahame (1859-1932) English bank official, writer, author of THE WIND IN THE WILLOWS (1908), set in the idyllic English countryside. The work established Grahame's international reputation as a writer of children's books and has deeply influenced fantasy literature. Gillian Avery is a historian of children's books. Her publications include Childhood's Pattern: A Study of the Heroes and Heroines of Children's Fiction, 1770-1950, and Behold the Child: American Children and Their Books, 1621-1922.

Reviews

A few literary staples get a new look this season, while others are adapted and retold. Mole, Rat, Badger and Toad return in Kenneth Grahame's turn-of-the-20th-century classic, The Wind in the Willows (1908), newly illustrated by Michael Foreman. The keepsake edition presents Grahame's unabridged text alongside illustrations of the picnic-bound Mole and Rat capsizing their boat into a watery blue-green world and carolers bringing Yuletide joy to Mole End. Back matter contains a brief biography of the author as well as reproductions of original letters that Grahame sent to his young son, containing the seeds of the story.

Gr 3-5-Stout-hearted Dorothy, dashing but naive D'Artagnan, and feckless Toad are introduced to young graphic-novel enthusiasts. Each book is a serviceable representation of the original work, hitting all relevant plot points in a somewhat rigidly paced 70 to 100 pages. Occasional anachronisms are jarring (D'Artagnan asks, "Are you okay?"). Unfortunately, the pages in Oz suffer from serious overcrowding: detail-heavy panels are arranged in an overlapping layout with no gutters between panels, making the book visually dense. Colors glare and characters appear stiff. Eric Shanower's graphic-novel edition of the same book (Marvel Classics) is easier on the eyes. Musketeers is drawn in a sharper-edged but still goofy style that emphasizes the humor in every scene. Willows is illustrated in an exaggerated cartoon style, with pop-eyed, loose-limbed characters that are a sharp contrast to depictions in other recent illustrated editions by artists such as Robert Ingpen, Luanne Rice, and Inga Moore. No library should be without these classics, but these adaptations may not be the best ones to choose.-Paula Willey, Baltimore County Public Library, Towson, MD (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.