Director David Lean follows the heroid, true-life odyssey of T.E. Lawrence (Peter O'Toole) in this, one of the most critically acclaimed and beloved motion pictures of all time. Now in this collectable DVD, LAWRENCE OF ARABIA looks and sounds more glorious than ever and offers you an exhaustive look into the making of the masterpiece. An epic story. A legendary film. A DVD to treasure.
Run Time:
218 minutes
Studio:
Columbia Pictures
FullScreen:
None
Widescreen:
Yes
Format:
PAL
Aspect:
2.15:1
Director:
David Lean
Cast:
Alec Guinness, Anthony Quinn, Jack Hawkins, Jose Ferrer, Anthony Quayle, Claude Rains, Arthur Kennedy, Omar Sharif, Peter O'Toole
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Reviews
– Customer review on 02/07/2007
The definitive epic of the cinema's history. "Lawrence of Arabia" is hands-down the finest production of the 1960s and makes a strong case as the best movie ever made. The titled character (Oscar-nominee Peter O'Toole in his career-defining role) dies in a freak motorcycle accident in the early-1930s in his homeland of England. In spite of being honored by the nation, many knew nothing of him. Some loved him, others despised him, but no one seemed to know the man at all. Flashbacks immediately start as we meet the character during World War I. He is a lieutenant assigned to mundane duties, but suddenly he is thrust into a greater role in North Africa. He is to assist a Saudi Arabian prince (Alec Guinness). The goal is to fight off the dreaded Turkish regime that poses a threat to the Arabs. If the Turks take over this land in Africa, what will it mean for the English? This concern leads to those in charge (most notably Claude Rains) wanting the titled character to help the Arabs to win their freedom back from the Turks. With the help of allies Omar Sharif (Oscar-nominated) and Anthony Quinn, among a whole host of others, O'Toole starts to assist the Arabs in their all-or-nothing task. An ambitious American journalist (Arthur Kennedy) wants to tell O'Toole's story in the hopes of getting the U.S. interested in the war (basically trying to get his nation involved in World War I by presenting them with a larger-than-life hero). During the venture O'Toole becomes a bit war-crazed and looks at himself as a sort of Christ-like figure who thinks of himself as immortal. O'Toole proves to be someone who is very at home in combat and when the combat is over, will he be able to function properly? Franklin J. Schaffner's "Patton" benefited greatly from David Lean's (Oscar-winning for directing) masterpiece. This Best Picture Oscar winner from 1962 just grows in importance as the years pass by. "Lawrence of Arabia" is a thinking person's film that is much, much deeper than it appears on the surface (and it appears deep on the surface to start with). The film deals with a slice of history that really did not seem that important back during World War I, but the situations in the Middle East now are greatly due to T.E. Lawrence's acts nearly a century ago. Did leading the Arabs to freedom make the world a safer place? This is the main question that Lean's film raises. Guinness' character is someone who changes almost immediately near the end of the production and it is a somewhat frightening foreshadower of things to come. A monumental milestone in film-making that stands so tall against all the other great productions of all eras. 5 stars out of 5.
An astonishing and hugely epic movie that you could watch over and over again. The screenplay, despite the usual but understandle license with pedantic accuracy, is intelligent and thought provoking. Combined with the stirring performances especially by the wonderfully cast Peter O'Toole as the legendery and enigmatic Lawrence. Set against the breathtaking backdrop of open desert compositions, this movie has a sweeping monumental scale to it. A bit of very watchable and interesting history.
Major motion picture history is continually evolving, even more so than merely growing. Not only are new films being constantly added, but older ones gain recognition and overdue respect - with greater perspective that is afforded by the passage of time, the growing reputation of its stars and directors, as well as the ever-expanding home viewing market.
I like this film a lot, but it annoys me that a lot of the stuff in the film never happened in real life. I am not being pedantic here, the entire sequence where Lawrence crosses the Sinai with two Bedouin boys, and one boy dies, then they arrive in Egypt and ask for a drink, NEVER HAPPENED! I think it is fine and laudable that the director wanted to have some licence, and try to interpret the meaning of Lawrences exploits, but that is going a bit far.
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