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Music CDs » Rock & Pop » General

Third

Artist: Portishead

$27.99
   
Average Rating: (See all reviews)
Label: Island Records (USA)
Quantity Available: 10

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Silence
Hunter
Nylon Smile
The Rip
Plastic
We Carry On
Deep Water
Machine Gun
Small
10 
Magic Doors
11 
Threads

Performer Notes
  • More than a decade after its self-titled sophomore outing, the pioneering British electronica ensemble Portishead finally resurfaced with 2008's THIRD, an album that both meets and defies expectations. Although the record features many of the group's aural signatures--most notably that exquisitely dark, cinematic mood and Beth Gibbons's heartbreaking vocals--it presents little in the way of vintage trip-hop, proving that sonic masterminds Geoff Barrow and Adrian Utley aren't keen on repeating themselves. "Silence" kicks off the affair with tumbling percussion loops, while "Nylon Smile" drifts along on spare, slinky instrumentation, and "Machine Gun" moves to jarringly martial metrics that are battlefields away from any pop arena. Though THIRD is initially disorienting, repeated listens reveal a deeply engaging and fascinating album that stays true to the melancholy spirit of Portishead even as it wanders into unfamiliar territory.

Professional Reviews
Rolling Stone (p.80) - 3.5 stars out of 5 -- "THIRD is an unexpected yet totally impressive return.....Portishead mix up dub, break beats, cathedral organ, Moroccan drones and even surf rock into a headphone album for sour times."

Entertainment Weekly (p.119) - "Beth Gibbons' spectral vocals linger atop eerie, warped pulses of music to create a swirl of melancholia." -- Grade: B+

Uncut (p.84) - 5 stars out of 5 -- "Adrian Utley proves to be the key player through much of the record....Here his playing is frequently awe-inspiring....THIRD is the most stunning, stark and superb Portishead album yet."

Alternative Press (p.136) - 4 stars out of 5 -- "Listening to Portishead has always been like floating through a waking dream, but now the sleek edges have atrophied into a dusty chaos, and it's all the more beautiful and perfect for the change."

Vibe (p.70) - "[Portishead] pays respect to innovators like Kraftwerk, Brian Eno, Wendy Carlos, and the RZA....THIRD has the blare of revolution."

Q (Magazine) (p.131) - 3 stars out of 5 -- "THIRD's sole link with the past is Gibbon's voice, now less mannered and more careworn...especially on twinkling interlude 'Deep Water'..."

Mojo (Publisher) (p.103) - 4 stars out of 5 -- "[C]onstantly beguiling....Throughout, Gibbons' singing gives musical and emotional coherence."

Paste (magazine) (p.52) - "THIRD is far and away the best, most punk thing in the Portishead catalog: a deeply transgressive album that bears a passing similarity to its predecessors but leaves most of the baggage behind..."

Clash (magazine) (p.108) - "Portishead have sidled back to express their tortured collective in more depth than most bands could ever dream off. They have subverted the natural order. Pain was never meant to feel this good."

Format:CD (1 Disc); Stereo
Country:USA
Quantity Available:10
UPC:602517664005
Studio/Live: Studio
Release Date:29 April 2008


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Reviews
5 of 5 Stars! Customer review on 12/05/2008

Portishead fans have been waiting 11 long years, but finally "Third" has arrived. It was worth the wait.
Portishead's basic sound remains intact. A rather off-kilter noir jazz sound complemented by Beth Gibbons' high pitched keening vocals. However, Portishead have pushed further into the future and it is possible that this music will prove almost as influential as Dummy became 14 years ago.
The music crackles with nervous energy, as Portishead ups the tempo of their narcotic rhythms with Adrian Utley's trembling guitar taking on a harder and darker edge that pushes into almost industrial territory.
This industrial influence becomes most apparent on the tracks "Silence" and "Machine Gun" (the first single) which in their metallic rhythms and distant engine sounds are reminiscent of early Throbbing Gristle.
While this music is distinctly Portishead, they have not allowed it to grow stale by sticking to a formula. While some may argue that Beth Gibbons' voice is only present because it feels necessary and may sometimes sound at odds with the music, the music remains vital and moving. It grows deeper into the listener's brain with each lesson, making its haunting beauty even more unforgettable.

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