The much-anticipated debut collection from Jay Bernard, winner of the Ted Hughes Award for New Work in Poetry 2018
Jay Bernard is the author of the pamphlets Your Sign is Cuckoo, Girl (Tall Lighthouse, 2008), English Breakfast (Math Paper Press, 2013) and The Red and Yellow Nothing (Ink Sweat & Tears Press, 2016), which was shortlisted for the Ted Hughes Award 2017. A film programmer at BFI Flare and an archivist at Statewatch, they also participated in 'The Complete Works II' project in 2014 and in which they were mentored by Kei Miller. Jay was a Foyle Young Poet of the Year in 2005 and a winner of SLAMbassadors UK spoken word championship. In 2019 Jay was selected by Jackie Kay as one of Britain's ten best BAME writers for the British Council and National Centre for Writing's International Literature Showcase. Their poems have been collected in Voice Recognition- 21 Poets for the 21st Century (Bloodaxe, 2009), The Salt Book of Younger Poets (Salt, 2011), Ten- The New Wave (Bloodaxe, 2014) and Out of Bounds- British Black & Asian Poets (Bloodaxe, 2014).
Haunting, historical, archival and imaginative... a stunning
debut
*New Statesman, Books of the Year*
Surge is a radical hybrid, painfully beautiful multigenerational
ghost story, a social document, and a work of political
archaeology. It is an indictment of this country's systemic
hostility to its black, Asian and ethnic minority population, and
the scandalous lack of accountability when this system claims
lives. It is a heartbreaking and brilliant book about an ongoing
tragedy
*Guardian, *Books of the Year**
Politically and lyrically compelling
*Observer, *Books of the Year**
Sensitive but devastating verse
*Financial Times, *Summer Reads of 2019**
A searing combination of artistic invention and meticulous research
into the 1981 New Cross Fire
*Pascale Petit, *RSL Ondaatje Prize**
This affecting poetic exploration of the New Cross Fire of 1981
(dubbed “The New Cross Massacre”) is incantatory, lyrical and
documentary. It makes a deep impact both on account of its own
narrative and in the wake of Grenfell
*The Sunday Times*
A sad and angry consolation, alert to the past... Surge is a mature
work, with lyricism both poetic and pop... [One] of British
poetry’s most distinctive new voices
*Daily Telegraph*
Although the fire, the subsequent protests and the founding of the
Black People’s Day of Action were documented by poets Linton Kwesi
Johnson and Benjamin Zephaniah among others, Bernard’s work
uniquely addresses a new generation encountering this past almost
afresh, as it is echoed painfully inthe present... The collection’s
major achievement is its unfailing attentiveness to the framing of
history through the stories of individuals and collectives that the
poet holds, urgently, ethically and so skilfully, in their
hands
*Guardian*
If there were ever to be a twenty-first century Auden, with all the
invention and cultural understanding, understanding of tradition
and sense of the speed and the human outcome of foul politics, Jay
Bernard is it
*Ali Smith*
Jay Bernard’s poems sing with outrage and indignation, with fury
and passion. They tell the story of two terrible fires of our
times, and shockingly show how the past holds up an uncomfortable
mirror to the present. They have brio, they have brilliance, they
are breathtakingly brave. An astonishingly accomplished debut
*Jackie Kay*
Bernard brings alive the archive, evoking ghosts and giving voice
to the dead and the aggrieved from moments in recent history all
too painful... At each turn, these are poems that make you sit up
and take notice
*Diva*
The poems here seethe with unspoken rage and acerbity; they read
like thinned-out paraffin, something on the cusp of explosion... A
brutal indictment of Britain’s racist history and hypocrisy in the
face of the facts... Bernard’s persistent question drills down,
line by line, into Britain’s dark subconscious
*Frieze magazine*
Rarely has the idea of the objectified, violated black body been
framed so starkly... Bernard’s knack for showing rather than
telling [...] ensures that their sustained engagement with tiered
identity never feels overdone... Surge is valuable as much for its
imaginative acumen as for its unflinching politics
*Times Literary Supplement*
Brilliant and unbearably moving… a kind of crowd-poem of different
voices, connection the New Cross fire to the Grenfell Tower and all
the victims of racism and racist violence in London
*Morning Star*
A range of poetic forms bring energy to this reappraisal of race,
nation and embodiment
*Guardian, *Books of the Year**
Imagined with both tenderness and frankness... Its strong sense of
place, patois, demand for justice, curiosity...are reminders that
four decade on, the tragedy remains an open wound
*Observer*
Jay Bernard's furious and heartbreaking poetry collection is their
response to this outrageous tragedy [of the New Cross fire]. Read
and feel rage
*Guardian*
'The verse has anger and political purpose, but a rare lyrical
precision, too. The combination is powerful'
*Sebastian Faulks, Spectator Books of the Year*
The verse has anger and political purpose, but a rare lyrical
precision, too. The combination is powerful
*Spectator, *Books of the Year**
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