Jerry Zolten is an Assistant Professor of Communication Arts and Sciences and American Studies at Penn State University Altoona. The co-author of Speaking to an Audience, he has written profiles of blues artists for Living Blues magazine and penned the liner notes to two of The Dixie Hummingbirds latest compilation CDs. A part-time record producer and promoter, he lives in Warriors Mark, Pennsylvania.
"Zolten fluently unfolds this story, with its sundry subplots and
themes. His descriptions of music are evocative, and he neither
minimizes nor exaggerates the gospel world's fierce moral and
showbiz competitiveness. He shows how, like all the top-flight
gospel quartets, the Birds drilled on staging and presentation as
well as music.... He makes a case that The Dixie Hummingbirds were
exemplars and conveyors of cultural and musical change."--New York
Times
Book Review
"This intriguing, fast-moving history is highly recommended for
anyone interested in music, social history, gospel, or the American
experience."--Library Journal
"In this excellent history, Zolten carefully and lovingly details
the almost 75-year history of the Hummingbirds, from their start in
the Depression to their induction into the Gospel Music Hall of
Fame in 2000. This is a fine exploration of an important style and
era in the history of American popular music and
culture."--Publishers Weekly
"A fabulously entertaining story of the Birds--and it's all here:
the 1928 organization, 1938 addition of Ira Tucker, name changes in
the early 1940s, Café Society in 1942, collaboration with Angelic
Gospel Singers in 1950, Go Out of the Program in 1953, the Apollo
Theatre in 1956, Newport Festivals in 1966 and 1972, Loves Me Like
a Rock in 1973, and full-fledged concerts into the 1990s. This is
an extraordinary and welcomed addition to African American
gospel music history."--Horace Clarence Boyer, author of The Golden
Age of Gospel
"Zolten fluently unfolds this story, with its sundry subplots and
themes. His descriptions of music are evocative, and he neither
minimizes nor exaggerates the gospel world's fierce moral and
showbiz competitiveness. He shows how, like all the top-flight
gospel quartets, the Birds drilled on staging and presentation as
well as music.... He makes a case that The Dixie Hummingbirds were
exemplars and conveyors of cultural and musical change."--New York
Times
Book Review
"This intriguing, fast-moving history is highly recommended for
anyone interested in music, social history, gospel, or the American
experience."--Library Journal
"In this excellent history, Zolten carefully and lovingly details
the almost 75-year history of the Hummingbirds, from their start in
the Depression to their induction into the Gospel Music Hall of
Fame in 2000. This is a fine exploration of an important style and
era in the history of American popular music and
culture."--Publishers Weekly
"The 'Birds' story is also the story of black entertainment slowly
entering the American pop-cultural mainstream.... Welcome this book
with its generous discography to the pop-music
shelves."--Booklist
"A fabulously entertaining story of the Birds--and it's all here:
the 1928 organization, 1938 addition of Ira Tucker, name changes in
the early 1940s, Café Society in 1942, collaboration with Angelic
Gospel Singers in 1950, Go Out of the Program in 1953, the Apollo
Theatre in 1956, Newport Festivals in 1966 and 1972, Loves Me Like
a Rock in 1973, and full-fledged concerts into the 1990s. This is
an extraordinary and welcomed addition to African American
gospel music history."--Horace Clarence Boyer, author of The Golden
Age of Gospel
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