Table of Contents

Preface ix
The Eighties / Anthony DeCurtis 1
The Church of the Sonic Guitar / Robert Palmer 13
The Enemy Within: Censorship in Rock Music in the 1950s / Trent Hill 39
A Corpse in Your Mouth: Adventures of a Metaphor, or Modern Cannibalism / Greil Marcus 73
Why Don't We Do It in the Classroom? / Glenn Gass 93
Playing for England / Paul Smith 101
Rock & Roll as a Cultural Practice / David R. Shumway 117
Tracking / Robert B. Ray 135
Signposts on the Road to Nowhere: Laurie Anderson's Crisis of Meaning / Mark Dery 149
Concerning the Progress of Rock & Roll / Michael Jarrett 167
Los Angeles, 1999 / Paul Evans 183
Sexual Mobilities in Bruce Springsteen: Performance as Commentary / Martha Nell Smith 197
About a Salary or Reality?- Rap's Recurrent Conflict / Alan Light 219
Voguing at the Carnival: Desire and Pleasure on MTV / Dan Rubey 235
Living by Night in the Land of Opportunity: Observations on Life in a Rock & Roll Band / Jeff Calder 271
Index 303
Notes on Contributors 315

Reviews

"Ever since people started writing about rock, other people have made fun of them. Anthony DeCurtis's anthology, with its clutch of academics, rock writers and musicians, will strike cynics as inherently pretentious. They will be wrong: This is a smart, witty, ingeniously balanced assortment of rock commentary, with a healthy number of pieces that seem prescient and, even, moving."—John Rockwell, European Cultural Correspondent, The New York Times

"This collection brings together two of the cultural right's favorite targets—mass culture and high theory—and demonstrates brilliantly how mutually illuminating they can be as a way of understanding the American scene."—Stanley Fish, Duke University

"This collection is a useful and provocative addition to rock literature. Its collage of forms—scholarship, journalism, interviews, and fiction—allows access to a variety of readers, and provides a diverse forum for addressing the current consciousness about rock."—Andrew Ross, Princeton University

"This shit rocks! To wit: Exhibiting a wide range of critical music writing, this collection speaks volumes about how music, and our varied perceptions of it, are intrinsically woven into the social and ideological web of end-of-the-century thought."—Michael Stipe, R.E.M.