Table of Contents

Preface Introduction Contexts and Comparisons: The Anthropological Approach Where? The Geographical Dimension How? The Technological Means Who? The Psychological Perspective Why? Social Contexts and Social Functions "What…?" Art as Communication When and Whence? The Time Dimension The Esthetic Mystery The Global Context-The 15th Century Globalization-The 20th Century Glossary Bibliography

Promotional Information

Applies anthropological theory and information to the study of art.

About the Author

EVELYN PAYNE HATCHER is Professor Emeritus of Anthropology at St. Cloud State University, and Adjunct Professor at the University of Minnesota. Her previous works published include Art as Culture: An Introduction to the Anthropology of Art (1985).

Reviews

"Anthropologists and art historians will welcome the second edition of Evelyn Hatcher's Art as Culture...[In this second book] she now presents the impact [on art] of the vast changes in the world since the Age of Discovery--from Columbus to computers--in all societies and especially the rise of folk, tourist, and export art."-John C. Messenger Jr. Professor Emeritus Dept. of Anthropology Ohio State University

"Art as Culture, with its new chapters that comment on the late twentieth century, will be a godsend to both beginners and experts. For newcomers, it will provide a way to approach a dizzying amount of information-an overview before moving into the intricacies of ideas about art and its relationship to other things that people do. For the expert, it provides a refreshing change, a way to step back from the small pieces and see that they must fit into a larger puzzle or they are not very useful to anyone....Evelyn Hathcher's lifetime of thinking about art as an anthropologist is a refreshing and challenging point of view for any art historian or student-or ordinary person-who is interested in art and how it fits into our world."-Lyndel King Director, Weisman Art Museum University of Minnesota

"As a much needed bridge between anthropology and art history, Dr. Hatcher's work presents fresh and convincing theories to explain such fluorescence in widely separated areas and goes even further in examining the relationship between art and culture. The text, which is written with grace and wit, is enhanced by skillful line drawings that illustrate the author's well taken points. This is a book that belongs on the shelves of any serious student of art history, anthropology, or, indeed, of human culture."-Rena N. Coen Professor Emerita of Art History St. Cloud State University

"Hatcher's background and research in both anthropology and art give her a command of a broad view nowhere else offered in the literature. Hers is the only book in the anthropology of art that covers all the major well-known tribal art styles, juxtaposes them with the arts of civilizations usually left to art historians, and introduces the reader to a full range of theoretical approaches to interpretation. While Hatcher's scholarly, thorough presentation of familiar styles provides many fresh insights, her theoretical stance is reassuringly familiar and solidly anthropological: the arts are understood comparatively, in context, and in all their complexity; in short, as culture."-Dorothy K. Billings Department of Anthropology Wichita State University