About the Series vii
Acknowledgments ix
Introduction: Why Abalone? The Making of a Collaborative Research
Project 1
I. Artifact, Narrative, Genocide
1. The Old Abalone Necklaces and the Possibility of a Muwekma
Ohlone Cultural Patrimony 9
2. Abalone Woman Attends the Wiyot Reawakening 50
II. The "Meaning" of Abalone: Two Different Abalone Projects
3. Florence Silvia and the Legacy of John Boston: Responsibility at
the Intersection of Friendship and Ethnography 62
4. Reflections on the Iridescent One 84
III. Cultural Revivification and the Species Extinction
5. Cultural Revivification in the Hoopa Valley 109
6. Extinction Narratives and Pristine Moments: Evaluating the
Decline of Abalone 137
Conclusion: Horizons of Collaborative Research 161
Notes 173
Bibliography 179
Index 193
Examines the cultural, social, and economic importance of abalone among past and present California Indian tribes
Les W. Field is Professor of Anthropology at the University of New Mexico. He is the author of The Grimace of Macho Ratón: Artisans, Identity, and Nation in Late-Twentieth-Century Western Nicaragua, also published by Duke University Press, and a co-editor of Anthropology Put to Work.
"Abalone Tales is a fine example of collaborative ethnography. It adds immeasurably to ongoing conversations among anthropologists and other social scientists about the still-emergent possibilities for producing dialogic, collaborative, and ethically responsible ethnographies." Luke Eric Lassiter, Marshall University Graduate College "Abalone Tales shimmers like the mother of pearl in a California Indian necklace. Out from the shadows of the old colonial tradition, the book fulfills the overdue promise of a new collaborative anthropology. It accomplishes this with remarkable intimacy and intelligence, and in so doing gives us new ways of thinking about ethnography, Native America, and the global politics of indigeneity today."--Orin Starn, author of Ishi's Brain: In Search of America's Last "Wild" Indian
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