Simon Garfield writes for the Observer about science, health and the arts. He is a former editor of Time Out, and his book The End of Innocence won the Somerset Maugham Prize. He has written and edited twelve books, including the bestselling Mass Observation diaries.
'A quirky and informative study of fonts' Anthony Horowitz, Sunday Telegraph
Simon Garfield writes for the Observer about science, health and the arts. He is a former editor of Time Out, and his book The End of Innocence won the Somerset Maugham Prize. He has written and edited twelve books.
Light-hearted but comprehensive, from rather odious typefaces, such
as the hairy Grassy, to the ubiquitous Helvetica, each font is
given a rundown. Garfield says he's unable to walk past a sign
until he has identified the typeface. Now, neither can we.
*Monocle*
A celebration of our way with words
*Observer*
Hugely entertaining ... a lively history ... my considerable
enjoyment of this book may have been enhanced by the fact that I've
always been very interested in print design. But even those who
have never considered the beauty of the Baskerville Q ... should
find themselves being drawn in by Garfield's enthusiasm and wit
*Sunday Business Post*
Brilliant ... whether you're a graphics geek or have never given a
second thought to what you're reading, don't miss this quirky,
fact-filled font fest.
*Grazia*
A quirky introduction to fonts ... Simon Garfield is careful to
tickle as much as he teaches ... Just My Type is fun. If you have
ever looked at the drop-down menu in Word and wondered what a
Garamond is, or what's meant to be new about Times New Roman,
Garfield will be just your type.
*Daily Telegraph*
Dozens of compelling anecdotes are clearly told by Simon Garfield
in this eye-opening book, which is utterly convincing in its
central idea - that we are surrounded by fonts and influenced by
their subtle message ... a delightful, brain-expanding book.
*Mail on Sunday*
Garfield's great strength is his storytelling. His book comprises
dozens of lovely vignettes, anecdotes that make a potentially dusty
subject utterly compelling ... he shows as judicious a sense of
imagery as he has of more technical description ... a fine
primer
*Independent on Sunday*
A lively history of fonts, from the first moveable letters used by
Johannes Gutenberg in the 1440s to the latest cutting edge
typefaces ... lavishly and imaginatively illustrated ... a joy to
look at as well as to read ... encapsulates the romance and magical
possibilities of type.
*Sunday Business Post*
Chatty, anecdotal ... illuminates even a walk to the shops
*Sunday Times*
Superb ... it is a fascinating and funny book that delves into the
history and oddities of typefaces throughout the ages ... it's full
of weird and wonderful stories.
*Big Issue*
A gift for aesthetes and arty types ... funny and fascinating
*Easy Living*
Just My Type is a font fanatic's dream
*Wired Magazine*
Garfield convinces us it's okay to actually like typography. What
shines about this book is its accessibility; you don't have to be a
typeface historian or a designer to find it enthralling ... It's
fascinating to read about the history, origins and revolutions of
typefaces, and this book strikes a great balance between fact and
humour. Garfield's book isn't snobbish or elitist, and this is its
most refreshing quality - it's for everyone to enjoy and share ...
reading this book may just change your life; it'll certainly make
you smile. If nothing else, it'll make you appreciate the beauty -
and sometimes the horror - that is all around you.
*Time Out*
Garfield is extremely knowledgeable about type history while
ignoring the politics and egos ... the tone is often funny and
always entertaining ... thoroughly enjoyable.
*Financial Times*
A delight from start to end
*The Age, Australia*
A whistle-stop tour of fonts ... Garfield's book will open your
eyes to the array of typefaces that demand our attention every
day.
*Lady*
Punchy and entertaining overview of typography ... Garfield's
intriguing book can send you online to look more deeply,
typographically speaking into the character issue.
*Irish Times*
Garfield has a track record of making odd subjects fascinating ...
a weirdly addictive book.
*Saga*
Engrossing ... I've long been a fan of Garfield's popular touch,
but he also writes knowledgeably about the minutiae of printing and
layout. The book is attractive too ... for this book's many
pleasures he should, at least, have a typeface named after him.
*Evening Standard*
The most interesting and entertaining parts of the book are the
glimpses into the strange internet world of type fanaticism.
*TLS*
Equipped with both knowledge and a nimble way with words, Garfield
is an entertaining and congenial guide to this ubiquitous but
little-known world.
*Literary Review*
A quirky and informative study of fonts
*Sunday Telegraph*
Bouncy, well-informed and wittily designed ... an engaging
book.
*Guardian*
There's a ton of fascinating stuff you never knew about fonts and
thankfully Simon Garfield has stuck practically all of it in this
friendly and informative book about the subject ... packed with
nuggets that are way more relevant to your cool young life than you
might realise ... riveting, and truly educational stuff.
*Dazed and Confused*
Amusing and informative ... Just My Type is an immensely refreshing
offering from an author who is fascinated by his subject. Conveying
the richness and the personality of typefaces with love and
passion, this is an accessible and entertaining introduction to the
world of lettering.
*Blueprint*
Delightful ... Just My Type is the kind of book that makes you look
at the world differently, indeed, it can induce a mild obsessive
compulsive disorder ... like a master sommelier, Garfield has a
wonderful capacity to convery the little hints and barely
registered associations which different fonts impart ... an
ingenious book.
*Scotsman*
There is even a photograph of a quick brown fox literally jumping
over a lazy dog. What a clever, clever book.
*Lynne Truss*
Just My Type is an entertaining romp through the world of type
design. Mr. Garfield explains the angst and the joy of typography;
this is a great book for design geeks to press into the hands of
the uninitiated in hopes of conversions, like missionaries with a
religious tract.
*Audrey Niffenegger, author of The Time Traveler’s Wife and Her
Fearful Symmetry*
This is a smart, funny, accessible book that does for typography
what Lynne Truss's best-selling Eats, Shoots & Leaves did for
punctuation: made it noticeable for people who had no idea they
were interested in such things... bright and sparkling.
*New York Times*
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