Table of Contents

Mathematical Modeling and Computation in Music.- Rhythm and Transforms, Perception and Mathematics.- Visible Humour — Seeing P.D.Q. Bach’s Musical Humour Devices in The Short-Tempered Clavier on the Spiral Array Space.- Category-Theoretic Consequences of Denotators as a Universal Data Format.- Normal Form, Successive Interval Arrays, Transformations and Set Classes: A Re-evaluation and Reintegration.- A Model of Musical Motifs.- Melodic Clustering within Motivic Spaces: Visualization in OpenMusic and Application to Schumann’s Träumerei.- Topological Features of the Two-Voice Inventions.- Comparing Computational Approaches to Rhythmic and Melodic Similarity in Folksong Research.- Automatic Modulation Finding Using Convex Sets of Notes.- On Pitch and Chord Stability in Folk Song Variation Retrieval.- Bayesian Model Selection for Harmonic Labelling.- The Flow of Harmony as a Dynamical System.- Tonal Implications of Harmonic and Melodic Tn-Types.- Calculating Tonal Fusion by the Generalized Coincidence Function.- Predicting Music Therapy Clients’ Type of Mental Disorder Using Computational Feature Extraction and Statistical Modelling Techniques.- Nonlinear Dynamics, the Missing Fundamental, and Harmony.- Dynamic Excitation Impulse Modification as a Foundation of a Synthesis and Analysis System for Wind Instrument Sounds.- Non-linear Circles and the Triple Harp: Creating a Microtonal Harp.- Applying Inner Metric Analysis to 20th Century Compositions.- Tracking Features with Comparison Sets in Scriabin’s Study op. 65/3.- Computer Aided Analysis of Xenakis-Keren.- Automated Extraction of Motivic Patterns and Application to the Analysis of Debussy’s Syrinx.- Pitch Symmetry and Invariants in Webern’s Sehr Schnell from Variations Op.27.- Computational AnalysisWorkshop: Comparing Four Approaches to Melodic Analysis.- Computer-Aided Investigation of Chord Vocabularies: Statistical Fingerprints of Mozart and Schubert.- The Irrelative System in Tonal Harmony.- Mathematical Approaches to Music Analysis and Composition.- Mathematics and the Twelve-Tone System: Past, Present, and Future.- Approaching Musical Actions.- A Transformational Space for Elliott Carter’s Recent Complement-Union Music.- Networks.- From Mathematica to Live Performance: Mapping Simple Programs to Music.- Nonlinear Dynamics of Networks: Applications to Mathematical Music Theory.- Form, Transformation and Climax in Ruth Crawford Seeger’s String Quartet, Mvmt. 3.- A Local Maximum Phrase Detection Method for Analyzing Phrasing Strategies in Expressive Performances.- Subgroup Relations among Pitch-Class Sets within Tetrachordal K-Families.- K-Net Recursion in Perlean Hierarchical Structure.- Webern’s Twelve-Tone Rows through the Medium of Klumpenhouwer Networks.- Isographies of Pitch-Class Sets and Set Classes.- The Transmission of Pythagorean Arithmetic in the Context of the Ancient Musical Tradition from the Greek to the Latin Orbits During the Renaissance: A Computational Approach of Identifying and Analyzing the Formation of Scales in the De Harmonia Musicorum Instrumentorum Opus (Milan, 1518) of Franchino Gaffurio (1451–1522).- Combinatorial and Transformational Aspects of Euler’s Speculum Musicum.- Structures Ia Pour Deux Pianos by Boulez: Towards Creative Analysis Using OpenMusic and Rubato.- The Sieves of Iannis Xenakis.- Tonal, Atonal and Microtonal Pitch-Class Categories.- Using Mathematica to Compose Music and Analyze Music with Information Theory.- Mathematical Approaches to Music Theory.- A Diatonic Chord with Unusual Voice-LeadingCapabilities.- Mathematical and Musical Properties of Pairwise Well-Formed Scales.- Eine Kleine Fourier Musik.- WF Scales, ME Sets, and Christoffel Words.- Interval Preservation in Group- and Graph-Theoretical Music Theories: A Comparative Study.- Pseudo-diatonic Scales.- Affinity Spaces and Their Host Set Classes.- The Step-Class Automorphism Group in Tonal Analysis.- A Linear Algebraic Approach to Pitch-Class Set Genera.