Shortlisted for the Folio Prize and internationally celebrated by critics and readers alike, here is a dazzling and utterly original novel about making art, love, and children during the twilight of an empire
Born in Kansas in 1979, BEN LERNER is the author of three books of poetry, The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award, a Fulbright Scholar in Spain, and the recipient of a Howard Foundation Fellowship. In 2011 he became the first American to win the Munster State Prize for International Poetry. He teaches in the writing program at Brooklyn College. His first novel was Leaving the Atocha Station.
[10:04 is] contemplative and tender... Out of the ephemera of
everyday life, Lerner has created a work of great artifice, knitted
together by dozens of images... I doubt I'll read a finer novel
this year
*Telegraph*
Lerner writes with a poet's attention to language... Brilliant
*New York Times Book Review*
Brilliant... Contemplative and tender... I doubt I'll read a finer
novel this year'
*Sunday Telegraph ******
Dazzling [and] absorbing... This is an extremely funny book, and a
political one... It is filled with moments of transcendence and
glimpses of alternative ways of being and perceiving
*Guardian*
Lerner carries off his conceit with aplomb, thanks to his
intelligence, seriousness and gift for social satire
*Financial Times*
Reading Ben Lerner gives me the tingle at the base of my spine that
happens whenever I encounter a writer of true originality. He is a
courageous, immensely intelligent artist who panders to no one and
yet is a delight to read. Anyone interested in serious contemporary
literature should read Ben Lerner, and 10:04 is the perfect place
to start
*The Marriage Plot*
Ben Lerner is a brilliant novelist, and one unafraid to make of the
novel something truly new. 10:04 is a work of endless wit,
pleasure, relevance, and vitality
*The Flamethrowers*
It's clear Ben Lerner is stupendously, murderously talented. 10:04
is clever, strange, funny and original
*Wild Abandon*
[10:04] is an extremely funny book [and] Lerner is a gripping
storyteller... [A] dazzling, absorbing novel
*Guardian*
Luminous, intelligent, poignant, and funny... 10:04 is a rare
achievement. This is only Lerner's second novel, and yet to talk
about mere "promise" seems insufficient. Even if he writes nothing
else for the rest of his life, this is a book that belongs to the
future
*New York Review of Books*
A generous, provocative, ambitious Chinese box of a novel... a
near-perfect piece of literature, written with the full force of
Lerner's intellectual, aesthetic, and empathetic powers, which are
as considerable as they are vitalizing... A magnum opus
*LA Times*
A sneakily visionary novel masquerading as a comic one. The world
Ben Lerner describes is recognizably ours. Why then is it so
thrilling and unnerving to wander through it?
*Dept. of Speculation*
Lerner captures in often beautiful and sometimes hilarious style
the rhythms, dissonances, and ambiguities of New York City...
Lerner pulls this complex effort off with verve and a keen satiric
eye and ear. This is a modern, very New York, and unique literary
novel
*Booklist*
In stunningly hypnotic prose... this masterful, at times dizzying
novel re-evaluates not just what fiction can do but what it is.
Hilarious and incisive... [it] achieves brilliance, at once a study
of how fiction functions and an expansive catalog of life
*Time Out NY ******
Lerner packs so much brilliance and humor into each episode...
Ingenious
*Wall Street Journal*
Lerner is among the most interesting young American novelists at
present... In his books, little happens, yet everything happens.
Small moments come steeped in vertiginous magic... A constantly
vivid observer of the world [...] we come to relish seeing the
world through [his] eyes
*New York Times*
A rich, sophisticated novel ... Brilliant
*New Republic*
A funny, deeply observational metafictional romp
*Entertainment Weekly*
Lerner's work is an ever-expanding universe... like the light from
a dead star, 10:04 will illuminate you to yourself for a long time
to come
*National Post*
Lerner spans high- and lowbrow effortlessly... As much as I adored
Leaving the Atocha Station, 10:04 is an improvement on those ideas
in every single way. The book is more ambitious, more intelligent,
and, somehow, even more hysterical
*Grantland*
Wonderfully intelligent, full of intricate formal devices, literary
references and various hidden repositories of meaning... It is also
a tentative, tender, and achingly uncertain story of man becoming a
father
*Weekend Australian*
I expected to love and, with relief, did love Ben Lerner's second
novel 10:04
*‘Books of the Year’ Observer*
Somewhere between the desperate unspooling sincerities of David
Foster Wallace and the self-anatomising babble of Woody Allen...
[10:04 is a] strange book... with a ruthless, twisty cleverness and
originality that are difficult to ignore... We may need a new
genre
*Literary Review*
Lerner writes with supercool irony about the farcical everyday
extremities of contemporary life [and] manages to combine
intellectual seriousness with scouring self- and social satire...
[An] impressive tour of his hothouse literary world
*Financial Times*
[In] 10:04, Lerner is saying that life is too fragmented, too
multifarious to be narrowed down to one single narrative, but that
doesn't mean it can't be captured, in all its heartbreaking
variety, in the pages of a novel... Lerner is a great writer and
10:04 a great novel
*Observer*
[10:04 is] contemplative and tender... Out of the ephemera of
everyday life, Lerner has created a work of great artifice, knitted
together by dozens of images... I doubt I'll read a finer novel
this year
*Telegraph*
Brave and humane... 10:04 is deeply political because it looks
imaginatively at our unequal world and creates a renewed sense of
possibility about the future
*Independent on Sunday*
Much-praised, strikingly meditative
*Observer*
10:04 is an accomplished work, and a mature one... wonderful
indeed
*Independent*
An impressive and even entertaining book - very well-written and
scarily clever
*Daily Mail*
A neon Rubik's Cube of a book... 10:04 reads like a collage: a
scrapbook bursting with quotations, puzzles, metafictional diary
entries, conversations and printed images, assembled in a future
where the word "novel" has lost its original meaning, and shot back
into the past where it stretches out its hand... A clever and
timely work
*New Statesman*
10:04 is wonderfully intelligent, full of intricate formal devices,
literary references and various hidden repositories of meaning...
It is also a tentative, tender, and achingly uncertain story of a
man becoming a father
*Weekend Australian*
10:04 jangles and shifts, it zigs and zags like thoughts pinging
through a cerebral cortex... [it] whips along with the force of a
skipping rope, taut and glimmering
*Sydney Morning Herald*
What you're left with is Lerner's undeniable talent. He is very
clever and he can certainly mint a metaphor... but he is also a
natural storyteller, winning you round to whatever new direction he
has taken within a couple of sentences... I recommend that you give
Lerner a whirl
*Sunday Times*
[Lerner is] one of those writers you're really happy to have
describing your world: wry, witty, always surprising... If you like
language, you'll love [10:04]
*Evening Standard*
Lerner tiptoes between satire and sincerity to serve up a sparky
comedy about the first-world problem of how to live well in the
knowledge of wider suffering
*Metro*
Lerner's musings are tricksy and self-referential, which could be
as dull as ditchwater in the wrong hands, but here the literary fun
and games are fresh and original... Brilliant, smart and
entertaining
*Sunday Express*
10:04 exists precariously and brilliantly on the edges of several
genres. Preoccupied with apocalyptic visions and with the value of
art, 10:04 suggests that the future of the novel is hopeful
*Prospect*
A skilled and singular voice
*Jewish Chronicle*
Lerner is doing something different with his metafictional plot:
he's showing us, in good faith, how fiction gets written.
Remarkable
*London Review of Books*
Rewarding
*Private Eye*
10:04 is a clever book. Lerner's style [...] super-confident [and]
the chronology leaps about nimbly.... One has to admire the
virtuosity
*Independent on Sunday *****
Lerner's masterclass in metafiction breaches the boundaries between
fiction and real-life, narrator and author... It's a clever, funny
discourse on the processes of writing fiction
*Observer*
A stunningly achieved work of narrative fiction
*Irish Times*
The cleverest, funniest and most absorbing novel I read all
year
*TLS*
A deeply compelling story of male anxiety and vulnerability
*Evening Standard*
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