A mind-blowing thriller in the Women's Murder Club series
James Patterson's previous international number one bestsellers include CAT AND MOUSE, WHEN THE WIND BLOWS, POP GOES THE WEASEL, CRADLE AND ALL and ROSES ARE RED, 1ST TO DIE and SUZANNE'S DIARY FOR NICHOLAS. He lives in Florida. Andrew Gross is a writer who lives in New York.
The second adventure in the Women's Murder Club (the first was 1st To Die) places San Francisco homicide detective Lindsay Boxer on the trail of another serial killer. While the murders seem like unrelated hate crimes, a pattern emerges with the discovery of the "chimera" icon and a white powdery substance left at the scenes. Reporter Cindy Thomas researches the icon, assistant district attorney Jill Bernhardt combs likely cases filed, medical examiner Claire Washburn provides forensic clues, and Lindsay chases down the most likely suspect. When that suspect dies, and the killings continue, Lindsay, Claire, and Cindy narrowly miss becoming victims. Written in Patterson's no-nonsense style and read by Melissa Leo and Jeremy Piven, the story is suspenseful, grim, and not altogether predictable. Recommended for fiction collections.-Joanna M. Burkhardt, Coll. of Continuing Education Lib., Univ. of Rhode Island, Providence Copyright 2002 Cahners Business Information.
'An exciting page-turner with more twists than in a tap factory' Sunderland Echo -- Sunderland Echo 20020531 'The protagonists are all characterized with imagination, and the plotting is taut. An exciting, accomplished thriller' Good Book Guide -- Good Book Guide 20020601 'Intriguing, exciting and frightening'" Weekend Australian -- Weekend Australian 20020601 'Relish ..the inventive twists of the plot' Sunday Times 1/2/03 -- Sunday Times 20030201
It's been a long time since we've seen a bestselling author of Patterson's clout credit an assistant author on the cover, and good for Patterson for that. The credit is deserved. This is Patterson's richest, most engaging novel since When the Wind Blows and, as the second in his Women's Murder Club series (after 1st to Die), yet more evidence that this prolific writer can roam beyond Alex Cross with style and success. Like all Pattersons, the narration mixes first and third person the first here is voiced, as before, by San Francisco homicide detective Lindsay Boxer, while the third-person sections cover the doings of the other three members of Boxer's informal club, a reporter, a pathologist and a prosecutor, as well as the villain's shenanigans. The basic story line is vintage Patterson, i.e., a serial killer (here, one known as Chimera) goes on a calculated rampage until stopped by the good guys or in this case, gals. As the victims a young girl shot dead, an elderly black woman hanged, two cops pile up, it becomes clear to Boxer and others that they're up against a racist who hates black cops; is the killer a cop himself? The story ripples with twists and some remarkably strong scenes, particularly Boxer's in-prison interview with a crazed con. But what makes this Patterson stand out above all is the textured storytelling arising from its focus on Boxer's personal issues. In the first novel, Patterson personalized Boxer by dealing with her rare blood disease; here, it's the emotionally powerful introduction of Boxer's long-lost father into her life that galvanizes the plot, particularly as Patterson ties the man into Chimera's rampage. Prime Patterson; first-rate entertainment. (On sale Mar. 4) Forecast: Patterson's name, major ad/promo and a 10-city author tour add up to #1; simultaneous Time Warner Audio and large-print edition. Copyright 2001 Cahners Business Information.