Notes on This Fifth Edition Preface About the Author PART ONE
Preparing Yourself to Act 1 Understanding the Actor's Job
Engagement Truthfulness Skill Dramatic Function Discipline Summary
of Step 1 2 The Tradition of the Actor The Twentieth Century
Getting into the Tradition Summary of Step 2 3 Relaxing and
Centering Relaxation FindingCenter Summary of Step 3 4 Breathing,
Sounding, and Moving from Center Your Cycle of Energy Your
Relationship to Gravity Phrasing Movement Summary of Step 4 5
Collaboration Leading and Following Seeing and Hearing Getting and
Giving Notes Summary of Step 5 Summary of part one PART TWO
Discovering Action Example Plays 6 Actions and Objectives
Stanislavski's View of Action Public Solitude Dual Consciousness
Indicating Raising the Stakes Summary of Step 6 7 Action, Emotion,
and Character: The Magic If Action and Emotion Character and the
Magic If The Actor in You Selecting Your Scene Dramatic Function
Revisited Summary of Step 7 8 Defining Objectives and Actions
Defining Useful Objectives Subtext Not Doing Obstacles and
Counter-Actions Summary of Step 8 9 The Flow and Shape of Drama
Internal and External Action The Shape of Drama Crisis Summary of
Step 9 10 Exploring Scene Structure and the Given Circumstances
Units of Action (Beats) The Given Circumstances Summary of Step 10
Summary of part two PART THREE Developing the Character 11 The
Character's Traits and Needs Function Traits Recognition Traits
Needs and Personalization Emotion Recall and Substitution Summary
of Step 11 12 Getting into the Character's Mind Perception,
Arousal, and Attitude Automatic and Spontaneous Actions
Deliberation and Strategic Choice The Inner Monologue Summary of
Step 12 13 Exploring the Character's Language Word Choice Rhythm
Melody Summary of Step 13 Summary of part three PART FOUR Final
Rehearsal and Performance 14 Finding the Scenario, Score,
Through-Line, and Superobjective The Score and Pace The
Through-Line and Superobjective Personalizing the Superobjective
Summary of Step 14 15 Staging Types of Stages Moving on Stage
Blocking Shaping and Pacing 16 Performing Emotion in
Performance Spontaneity Evaluating Your Work Growth After Opening
The Actor's Sense of Purpose Summary of Step 16 Summary of part
four Appendix A: A Sample Television Scene Appendix B: Suggested
Plays and Anthologies Plays Play and Scene Anthologies Anthologies
for Students of Color Glossary of Theater and Film Terminology
Index
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