Acknowledgements
Introduction UK 1979
Part One History of early alternative comedy
1. Prehistory – influences and origins
2. The beginnings of alternative comedy
3. The spread of the circuit
Part Two Alternative comedy performance
4. ‘Bits of me haven’t been finished yet’ – Reinventing stand-up
from scratch
5. ‘Anti-matter comedy’ – Stylistic Innovation
6. ‘Advanced social thinkers’ – Persona and Perspective
7. ‘Comedy of direct confrontation’ – Relating to audiences
8. ‘I tell jokes which precipitate the downfall of capitalist
society’ – Politics
Part Three Legacy of alternative comedy
9. Alternative comedy now
Notes
References
Index
Drawing on new interviews and a wealth of unpublished archive material, this book provides a detailed history of the early alternative cabaret scene and explains its significance in radically reinventing stand-up and sowing the seeds of today’s live comedy circuit.
Oliver Double is Reader in Drama at the University of Kent, UK. He is the author of Stand-Up! On Being a Comedian (Methuen, 1997), Getting the Joke: The Inner Workings of Stand-Up Comedy (Methuen, 2005; expanded 2nd edition Bloomsbury Methuen Drama, 2014) and Britain Had Talent: A History of Variety Theatre (2012), and co-editor with Adam Ainsworth and Louise Peacock of Popular Performance (Methuen Drama, 2017).
This fascinating, well-written and meticulously researched guide to
Britain’s alternative comedy revolution is probably the most
accurate single retrospective of that transformative time that
exists … Double conveys the excitement of these times while telling
the story as accurately and succinctly as any social historian can.
This book comes highly recommended.
*Chortle*
The definitive account. … If you’ve got even a passing interest in
the history of modern comedy Double’s book is a must.
*Beyond the Joke*
Thank God someone's written this book, before everyone who could
remember what happened died, and thank God that someone was Oliver
Double, the Charles Darwin of alternative comedy.
*Stewart Lee*
Oliver Double’s enquiry is a worthy contribution to the evolving
and expanding field of comedy studies. This fascinating
investigation into alternative comedy uncovers both the roots and
development of the alternative comedy scene, which dramatically
revolutionized the comedy landscape. It is essential reading for
anyone who is serious about comedy.
*Lisa Moore, Lecturer in performance and comedy, School of arts and
Media, University of Salford, UK*
A very thorough, well-structured and well-explained piece of
research on alternative comedy in the UK. The book is certainly
suited to scholars and students interested in the performing and
sociological aspects of stand-up comedy.
*European Journal of Humour Research*
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