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The first novel in Ellroy's extraordinary Underworld USA Trilogy
James Ellroy was born in Los Angeles in 1948. He is the author of the acclaimed LA Quartet, The Black Dahlia, The Big Nowhere, LA Confidential and White Jazz, as well as the first two parts of his Underworld USA trilogy, American Tabloid and The Cold Six Thousand which were both Sunday Times bestsellers.
Critics either adored or abhorred Ellroy's last crime novel, White Jazz, for its gritty subject matter and "word jazz" prose. American Tabloid, a fictional examination of the conspiracy-to-end-all-conspiracies-the assassination of JFK -will contain more of the same.
Although it follows his L.A. Trilogy chronologically, Ellroy's visceral, tightly plotted new novel unfolds on a much wider stage, delivering a compelling and detailed view of the American underworld from the late 1950s to the assassination of JFK. Demythologizing the Camelot years, Ellroy (White Jazz) depicts a nexus of renegade government agencies, mobsters, industrial tycoons and Hollywood players fueling the rise and fall of the Kennedy administration. The story hinges on the entanglements of three 40-something government mercenaries who play major, behind-the-scenes roles in such events as the Bay of Pigs and the assassination of the president. Suave and sybaritic Kemper Boyd pimps for JFK while carrying out simultaneous undercover work for the CIA, FBI, Robert Kennedy and the Mob. Hulking, sadistic ex-L.A. cop Pete Bondurant, a hired killer for Jimmy Hoffa, digs dirt for a drug-addled Howard Hughes while training a cadre of bloodthirsty, anti-Castro Cuban exiles off the Florida Coast. Idealistic FBI wiretapper Ward Littel, following a series of disastrous anti-Mafia operations, becomes a Machiavellian mob lawyer. All three rub shoulders with an enormous cast of real-life characters, including clever, two-dimensional portraits of the Kennedy family, J. Edgar Hoover and Jack Ruby. Exercising his muscular, shorthand prose, Ellroy moves the narrative from break-in to lurid assignation to brutal hit job in a tightening gyre that culminates in the murder of the president. While not especially convincing as revisionist history, this is a cool and riveting evocation of a cultural epoch abounding in government surveillance, endemic corruption and yellow journalism. BOMC and QPB selections; author tour. (Feb.)
"Intense and flamboyant... excellent. The plot runs on high-octane violence... a powerful book... one emerges breathless, shaken and ready to change one's view of recent American history" Sunday Telegraph "Brilliant and appalling. It is deeply repelling portraiture, yet mesmerising" The Times "Laconic violence, terse, slang-driven sentences, and a gleeful blurring of the moral line between good guys and bad guys... Seven hundred pages of this stuff left me feeling punch-drunk and dizzy, but then it sure beats the hell out of Anita Brookner" Mail on Sunday "A frenetic and explosive thriller ..." Sunday Times "One of the most important popular-fiction writers in America ... a Tinsel town Dostoyevsky" Time Out