David Gilbert is the author of the story collection "Remote Feed" and the novel "The Normals." His stories have appeared in "The New Yorker, Harper's, ""GQ, "and "Bomb." He lives in New York with his wife and three children.
"[A] big, brilliant novel."--"The New York Times Book Review"
"In terms of sheer reading pleasure, my favorite book this year was "& Sons, " David Gilbert's big, intelligent, richly textured novel about fathers, sons, friendship, and legacies. . . . From [A. N.] Dyer's slacker sons to a J. Crew-wearing young seductress, every member of Gilbert's cast of characters is perfectly drawn."--Ruth Franklin, "The New Yorker"
"Gilbert's should be among the half-dozen or so names cited by critics and serious readers when they're asked who produced [the year's] most dazzlingly smart, fully realized works of fiction."--"The Washington Post"
"A grand book, even extraordinary."--Lev Grossman, "Time"
"If you read only a few books this year, this one should be one of them."--The Huffington Post
"Clear the sand from your beach-book-overloaded mind for this smart, engrossing saga about a reclusive famous author and his late-life attempt to make amends to the many people he's let down. Perfect for fans of Jonathan Franzen or Claire Messud."--"Entertainment Weekly"
"A contemporary New York variation on "The Brothers Karamazov, " featuring a J. D. Salinger-like writer in the role of Father, and a protagonist who turns out to be as questionable a tour guide as the notoriously unreliable narrator of Ford Madox Ford's classic "The Good Soldier" . . . a big, ambitious book about fathers and sons, Oedipal envy and sibling rivalry, and the dynamics between art and life, talent and virtue. The novel is smart, funny, observant and . . . does a wonderful job of conjuring up its characters' memories of growing up in New York City in layered, almost Proustian detail."--Michiko Kakutani, "The New York Times"
"[A] throwback literary novel . . . Its rueful, poetic vision of faded WASP grandeur is frequently heartbreaking."--"People"
"Very nearly a masterwork. Gilbert is an assured, versatile and often very funny writer."--"The Dallas Morning News"
"Throughout "& Sons, " Gilbert provides lengthy excerpts from [his] novel-within-a-novel, and, as far as the reader can tell, "Ampersand" is caustic, comic, and clever, like Gilbert's own novel. . . . Gilbert has a rich theme, and plenty of talent. He has a wonderfully sharp eye for the emotional reticence of the men of A. N. Dyer's generation and class, for the ways in which their more open, more voluble children must become expert readers of patriarchal gaps and silences, in order to make sense of what he finely calls 'these heavily redacted men.' . . . Gilbert often writes superbly, his sentences crisp, witty, and rightly weighted. . . . Some of [his metaphors] realign the visual world, asking us, as Nabokov's best metaphors do, to estrange in order to reconnect. . . . Every page proposes something clever and well turned. Gilbert is bursting with little achievements. . . . This is a writer capable of something as beautifully simple, and achingly deep, as this description of Richard and Jamie, as they see their mother approaching them in the pub: 'The brothers straightened, reshaped as sons.'"--James Wood, "The New Yorker"
"This great big novel is also infused with warmth and wisdom about what it means to be a family."--"The Boston Globe"
"When someone uses the term 'instant classic, ' I typically want to grab him and ask, 'So this is, what, like the new "Great Expectations"? You sure about that?' But David Gilbert's novel "& Sons, " seductive and ripe with both comedy and heartbreak, made me reconsider my stance on such a label. . . . This is the book I'd most like to lug from one beach to another for the rest of summer, if only I hadn't torn through it in two very happy days this spring. . . . Gilbert's portrait of [New York City] and its literary set is as smart and savage in its way as Tom Wolfe's "The Bonfire of the Vanities, " half love letter, half indictment, and wholly irresistible."--NPR
"In her iconic essay 'Goodbye to All That, ' Joan Didion famously described New York City as 'the mysterious nexus of all love and money and power, the shining and perishable dream itself.' . . . David Gilbert's layered" & Sons" probes that nexus from the inside, limning the emotional decay of two prominent Manhattan families and literary masterpiece that cages them. . . . Vivid, inventive."--"O: The Oprah Magazine"
"Gilbert has great narrative gifts and a wonderful eye for the madness of families and the madness of writers. . . . "& Sons" is a novel that creates an imaginary author who is so real and flawed that the reader feels he understands American literature itself a little better after reading his story."--"Los Angeles Times"
"Richly entertaining . . . has the rare quality of being funny without being silly, serious without being solemn, and powerfully moving without being either sentimental or coercive."--"The Guardian "(UK)
"The right novelist can turn even a novel about a novelist into a book big enough to delight all the rest of us."--Salon
"A Franzenish portrait of a biting, aging New York writer, David Gilbert's novel is perceptive, witty, and--like all great books about remote fathers and their sons--prone to leaving male readers either cursing or calling their dads."--"New York"
"A thought-provoking and engrossing read . . . I found myself falling into [the characters'] lives, caring for them, worrying for them and ultimately missing them as the novel came to a close."--"Chicago Tribune"
""& Sons" is a sophisticated, compassionate novel, very much more than a clever take on the vicissitudes of the writing life. Funny and smart, it is lit with the kind of writing that makes the reader break into a smile."--"Financial Times"
"Gilbert's finely wrought prose . . . teems with elaborate word plays and tests the reader's perceptiveness at every turn."--"Vanity Fair"
"A delicious read."--New York "Daily News"
"If the stylish brilliance of recent novels by Rachel Kushner, Jess Walter, and Peter Heller has been hinting at a new golden age of American prose, then David Gilbert's ambitious, sprawling, and altogether masterful second novel, "& Sons, " confirms it."--The Daily Beast
"A work of pure genius."--"The Buffalo News"
"Extraordinary."--"San Francisco Chronicle"
"A witty and ultimately tragic take on the perennial subject of how the sins of the fathers are visited on their sons. There are echoes of Turgenev here, to say nothing of Jonathan Franzen and John Irving. But the music is entirely Gilbert's, and at the end of this bravura performance you'll want to give him a standing ovation."--"Newsday"
"Brilliant . . . weaves together the frayed threads of fame, fatherhood, family and friendship into a meditation on the blessing and curse of creativity . . . Thoughtful, farcical, acerbic and original, Gilbert's crisp writing and sinuous mind could grab and hold any reader."--"Bloomberg Businessweek"
"["& Sons" is] about the emotional bonds between fathers, sons and brothers--the overwhelming love that can't be adequately expressed and the burden of unspoken expectations. . . . Gilbert is an inventive, emotionally perceptive writer."--Associated Press
"Celebrates the power of words . . . thick with wit and close observation . . . ["& Sons" is] built to last."--Minneapolis "Star Tribune"
""& Sons" conjures a career's worth of drool-worthy fictional fiction that's so convincingly evoked, I almost recall writing a paper on it in freshman English class."--"The New York Times Magazine"
"[A] big, rich book . . . With wit and heart, Gilbert illuminates the complicated ways that fathers and sons misunderstand, disappoint, and love one another and how their behavior affects the women in their lives."--"Real Simple"
""& Sons" is an often funny, always elegant, lingering gaze back at a world in which writers are still gods at the very center of culture."--"Esquire"