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Anthology for Music in the Medieval West

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Table of Contents

** Contents subject to change 1. Anonymous, Ave Maris Stella 2. Anonymous, The Oxyrhynchus hymn 3. Ambrose of Milan, Aeterne Rerum Conditor 4. Anonymous, Some Easter Mass Propers 5. Anonymous, Polyphonic examples from Musica Enchiriadis 6. Anonymous, Antiphon "Ecce apparebit dominus" with Psalm 147 (146):1?11 7. Anonymous, Kyrie Cunctipotens genitor 8. Anonymous and Notker the Stammer, Two Early Medieval Sequences 9. Anonymous, Tropes for the Introit Resurrexi 10. Fulbert of Chartres (?), Responsory: Stirps Jesse 11. Anonymous, Sequence Congaudentes exultemus for St. Nicholas 12. Anonymous, Responsory Ex eius tumba and Prosula Sospitati for St. Nicholas 13. Fleury Playbook, From The Three Daughters, a play for St. Nicholas 14. Winchester Troper, Polyphonic Setting of Alleluia Surrexit Vere 15. Anonymous, Annus Novus in Gaudio 16. Anonymous, Stirps Jesse Florigeram 17. Anonymous, Alma perpetui /Ave regina caelorum 18. Albertus, Cantor of Paris, Congaudeant Catholici 19. Peter Abelard, Epithalamica 20. Four Troubadour Songs 20.1. Macabru, L'autrier jost' una sebissa 20.2. Bernart de Ventadorn, Can vei la lauzeta 20.3. Guiraut de Bornehl, Reis glorios 20.4. La Comtessa de Dia, A chantar m'er 21. Adam of St. Victor (?), Zima vetus 22. Hildegard of Bingen, Mathias Sanctus 23. Anonymous, Laude Novella 24. Anonymous, Bacche, bene venies 25. Thibaut de Champagne, Chancon ferai que talenz 26. Alfonso the Wise (?), Rosa das Rosas 27. Martin Codex, Ondas do mare de Vigo 28. Philip the Chancellor (?), Sol oritur 29. Anonymous, Phrases from the Vatican Organum Treatise and Two-part organum purum with discant, and copula 30. Anonymous, Organum triplum on Flos Filius 31. Anonymous, Clausulae on Flos Filius 32. Anonymous, Two early motets on Flos Filius 33. Petrus de Cruce, S'Amours eust point de poer/Au Renouveler/Ecce 34. Philip de Vitry, Tribum/Quoniam/Merito 35. Guillaume de Machaut, Remede de Fortune: Dame de qui, toute ma joie and Dame vous sans retollir. 36. Guillaume de Machaut, Fons totius/O livoris feritas/Fera pessima 37. Guillaume de Machaut, Messe de Nostre Dame: Kyrie 38. Jacob Senleches, Je me merveil/J?ay pluseurs fois 39. Marchettus of Padua, Ave regina celorum/Mater innocencie/Ite Joseph 40. Anonymous, Madrigal: Quando I Oselli Canta 41. Francesco Landini, De sospirar sovente 42. Antonio Zacara da Teramo, Cacciando per gustar 43. Anonymous, Singularis Laudis Digna 44. Richard Queldryk, Troped Gloria

About the Author

Margot Fassler is Keough-Hesburgh Professor of Music History and Liturgy at the University of Notre Dame. Her works include The Virgin of Chartres: Making History through Liturgy and the Arts, Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris, and a series of films on sacred music. Fassler is a member of the American Academy of Arts and Letters; her awards include a Guggenheim Fellowship and the American Musicological Society's Otto Kinkeldey Prize. Walter Frisch is H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University. He is the author of numerous books and articles, including Brahms: The Four Symphonies, The Early Works of Arnold Schoenberg 1903-1908, and German Modernism: Music and the Arts. He is the recipient of two ASCAP-Deems Taylor Awards and fellowships from the National Endowment for the Humanities, the Alexander von Humboldt Foundation, and the Center for Scholars and Writers at the New York Public Library.

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