Introduction by Robert Thacker
Preface to the Revised Edition
Willa Cather and Her First Book
Dedicatory
"Grandmither, Think Not I Forget"
In Rose Time
Asphodel
Mills of Montmartre
Arcadian Winter
The Hawthorne Tree
Sleep, Minstrel, Sleep
Fides, Spes
The Tavern
In Media Vita
Antinous
Paradox
Provençal Legend
Winter at Delphi
On Cydnus
The Namesake
Lament for Marsyas
White Birch in Wyoming
I Sought the Wood in Winter
Evening Song
Eurydice
The Encore
London Roses
The Night Express
Prairie Dawn
Aftermath
Thine Advocate
Poppies on Ludlow Castle
Sonnet
Thou Art the Pearl
From the Valley
I Have No House for Love to Shelter Him
The Poor Minstrel
Paris
Song
L'Envoi
Notes of the Poems of April Twilights
Appendix: Other Versus
Bibliography
Willa Cather (1873–1947) was born in Virginia,
moved with her family to Nebraska in 1883, and eventually settled
in Red Cloud. After graduating from the University of
Nebraska–Lincoln in 1895, Cather returned to Red Cloud briefly
before moving east to work on Home Monthly and eventually
McClure’s. Her first published books were the poetry collection
April Twilights and the short story collection The Troll Garden. In
1923 Cather received the Pulitzer Prize for her novel One of
Ours.
Bernice Slote (1913–83), a distinguished Cather
scholar, was a professor of English at the University of
Nebraska–Lincoln. Her publications include April Twilights
(1903) (1962, 1968); The Kingdom of Art: Willa Cather’s First
Principles and Critical Statements, 1893–1896 (1967); and Uncle
Valentine and Other Stories: Willa Cather’s Uncollected Short
Fiction (1973, 1986), all published by the University of Nebraska
Press.
Robert Thacker is Charles A. Dana Professor of Canadian
Studies and English Emeritus at St. Lawrence
University. He is the author of several books, including The
Great Prairie Fact and Literary Imagination, and has coedited three
volumes of Cather Studies. He is the historical editor of Poems in
the Willa Cather Scholarly Edition.
“[In these poems] Cather’s . . . tone is elegiac or rueful, but her
emotions are real. Her own life goes on; as poet she looks forward
toward all the books she will write on her own perilous voyage, but
gazing as she was from the nineteenth century into the twentieth,
Cather stood at the Modernist crux. She knew poetry and valued it,
but she also knew that her books were to take the form of fiction
written in a striking, allusive, and poetic prose.”—from Robert
Thacker’s introduction
"Professor Slote's introduction, which considers events leading to
the poems, critically analyzes them and then brilliantly relates
them to Willa Cather's fictional themes and techniques."—Books
Abroad
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