A must-have reference book for today's artists and art students.
Todd M. Casey was born and raised in Lowell, Massachusetts. His artistic education includes a BFA in Communication Design from Massachusetts College of Art in Boston. After receiving his degree in 2001, he moved to New York City, where he worked as a graphic designer. He then moved to San Francisco to pursue a Master's in Animation at the Academy of Art. While taking the foundation classes for his MFA, he found a true passion in painting, and returned to New York City to the studio of Jacob Collins at the Water Street Atelier and began his classical painting training in 2007. In 2010, he finished his studies and began teaching at the Guild Atelier in Brooklyn, New York. Casey's work touches on more than simplistic, rigid realism. There is a haunting, nearly literary quality to each frame. A feeling that subjects are viewed from behind rain-kissed, mottled glass, burnished by enigmatic candlelight, or brushed by the soft, hazy edges of a half-remembered dream. His works are classically styled, but progressive in approach--fine, somber details, rendered with a clear, meticulous eye, and yet, subdued with a gentle, melancholic focus. Casey is the receipient of several awards. Most recently, he won first place two years in a row in the Portrait Society of America Members Only Competition, and first place in oil painting from the Allied Artists of America, in 2015. His work can be found in collections throughout the United States, and exclusively on the East Coast at Rehs Contemporary Gallery, in Midtown New York City. Casey lives in New York with his wife, Gina, and baby daughter, Scarlett.
It is rare for an art book to combine history, theory, and
practice in one volume, but this book really delivers.
Painting inanimate objects under controlled conditions has always served as a laboratory for artists to study the behavior of light and form. As a laboratory of learning for art students, still life setups are a regular part of atelier practice. Students arrange objects under fixed lights and capture as perfect an illusion as possible.
After an introduction that tells his personal story, Casey shares his knowledge about oil painting in a series of clear-headed explanations, demonstrations, and exercises. The book covers materials for drawing and painting, principles of composition, light and shadow, drawing procedure, color theory, modeling of form, and paint technique.
It ends with a practical step-by-step guide that walks you through all the decisions you'll need to make as you execute a painting from start to finish. The coverage would be helpful for any artist, beginner or advanced, and whether or not they specialize in still life.
James Gurney, Gurney Journey
When another still life book arrived, I was convinced it would be just another book to review, which is about the same as any other. But, once I dug in, I discovered it was anything but just another book. The Art of the Still Life, A Contemporary Guide to Classical Techniques, Composition, and Painting in Oil, by Todd Casey is an extraordinary painting technique book unlike any I've seen before.
The coffee table book, 320 pages in all is filled with rich color reproductions of still life paintings through history, as well as paintings by contemporary still life artists. But the book is so much more. Not only does it outline technique, it provides technique on steroids, with amazing graphs, charts and illustrations which make things like lighting, light drop off, color, color temperature, form and so much more easy to grasp. Though I've been around the principles in my own life for the past couple of decades, I discovered concepts I never had seen or understood before. The book offers examples in lighting, examples of various forms of still life from common household objects, food, flowers, fish, game and birds, narrative themes, painting interiors, various backgrounds and more. Its chapters on light and another on composition are worth the price of the book alone, but there is so much more, with incredible information on color, on light planes and form, the science of painting and color, painting methods and more. And, the exercises and demonstrations are clear to understand and to follow.
The price tag of $40 is a bargain, I'd pay $150 or $200 for the content in this book. It is one of the finest examples of a painting instruction book I've experienced in my collection of over 500 art books.
B. Eric Rhoads, Publisher
Fine Art Connoisseur, Plein Air, Fine Art Today, Realism Today, PleinAir Today, American Watercolor, Figurative Art Convention, PleinAir Convention