Introduction
Preface to the Third Edition
Foreword
Author Preface
A Brief History of Wood Ash Glazes
The Growing Plant
What is Wood Ash?
Collecting and Preparing Wood Ash
What are Glazes and How do they Work?
Making Glazes
Ash-like Glazes without Ash
Potters' profiles
Katherine Pleydell-Bouverie
Terry Bell-Hughes
Mike Dodd
Lis Ehrenreich
John Jelfs
Dick Lehman
Jim Malone
Eric James Mellon
Jim Robison
John Thies
Tom Turner
Phil Rogers
Showcase
Ash Glaze Recipes
Ash Analyses & Molecular Weights
Glossary
Bibliography
Index
Afterword
Fully updated and revised, with new photographs and glaze recipes, this is the third edition of this classic guide to ash glazes.
Phil Rogers was one of Britain’s leading potters and
advocates for his craft. From his studio near Rhayader in Powys,
Wales, he created work that drew on eclectic styles, from medieval
German salt-glazed wares to 15th-century Korean porcelain. A
passionate promoter of the use of natural materials in glazes, he
is widely regarded as one of the giants of UK ceramics. His work is
held by museums around the world, including the V&A, the
British Museum and the Museum of Modern Ceramic Art in Japan.
Hajeong Lee Rogers grew up in South Korea where she later
studied crafts at Sungshin Women’s University and won the National
Award for Craft Art in 2005 for a large ceramic sculpture. Hajeong
joined her husband Phil Rogers in Wales in 2011 and started working
in her own studio, making tableware with a fusion of traditional
Korean techniques and patterns influenced by William Morris. Her
work is included in the Reeves Collection, Washington and
Fitzwilliam Museum, Cambridge.
The most useful and definitive guide to the various uses of wood
ashes in glaze application.
*Mike Dodd, internationally acclaimed potter*
Potters, young and old, will delight in the updates, and our
continuing experiments and revelations will be fitting tributes to
all that Phil and Hajeong have contributed to our field.
*Mark Hewitt, author of 'The Potter's Eye'*
For those seeking a single reference work which both introduces the
topic but also gives you the tools, knowledge and encouragement to
experiment in your own environment this is undoubtedly the
definitive choice.
*Westcountry Potters*
There is no doubt this third edition of Ash Glazes provides true
inspiration not only working potters, collectors and those
interested in contemporary ceramics, but for the broader view it
provides in supporting the resurgence of ceramics as a craft form
in current British culture.
*Midlands Potters Association*
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