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Asian Cinema and the Use of Space
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Table of Contents

Foreword Ryan Bishop 1. Asian Cinemas and the Potential of Cinematic Space Lilian Chee and Edna Lim 2. Between the Visible and the Intelligible in Asian Cinema Ackbar Abbas Part 1: Ephemeral Space 3. Notes from Elsewhere: Spaces of Longing in Trần Anh Hùng’s Vertical Ray of the Sun Christophe Robert 4. Between Demolition and Construction: Performing Drifting Identities in Jia Zhangke’s Films Esther M.K. Cheung 5. Chasing Inuka: Rambling around Singapore through Tan Pin Pin’s Films Lilian Chee 6. Chiang Mai and the Cinematic Spaces of Thai Identity Adam Knee Part 2: Imagined Space 7. The Superflat Space of Japanese Anime Deborah Shamoon 8. Imagining Nanyang: Hong Kong and Southeast Asia in Wong Kar-wai movies Lai Chee Kien 9. Air Hostess and Atmosphere: The Persistence of the Tableau Charles Leary 10. Space and Verisimilitude in the Films of Singapore’s "Golden Age" Timothy R White Part 3: Contested Space 11. Performing the Multicultural Space in Opera Jawa: The Tension Between the National and Transnational Stage Ugoran Prasad and Intan Paramaditha 12. Cinema as Ritual Space: O Meul’s Jiseul Sohl Lee 13. Counter-Performance: The Heartland and Other Spaces in Eating Air and 15 Edna Lim 14. Ismene and Antigone in Sri Lanka’s Black Cinema Anoma Pieris

About the Author

Lilian Chee is Assistant Professor in the Department of Architecture at the National University of Singapore.

Edna Lim is Senior Lecturer in the Department of English Language and Literature at the National University of Singapore.

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