The offices of Britain's favourite tabloid The Daily Beast, are set on high terrorism alert in this compelling satirical debut.
Alexander Starritt has worked or written for a wide variety of publications, including the Daily Mail, the Mail on Sunday, the Guardian, the Huffington Post and Newsweek. He grew up in the northeast of Scotland and also translates from the German.
A brilliant satire... Starritt's novel skewers its targets with a
thrilling accuracy. It needs urgently to be read'
*Ian Jack*
Eye-wateringly funny and uncannily well observed
*Richard Addiss, Former Editor of the Daily Express and FT
Weekend*
Hugely enjoyable... Sharp, relentless and very funny'
*Ned Beauman*
A deft descendant of Evelyn Waugh, Jonathan Coe and Ben Hecht's The
Front Page... News hounds will recognise the world of the modern
Beast, in all its blood, sweat and sporadic absurdity. Civilians
will relish a caper with a serious undertow'
*Anne McElvoy, The Economist and BBC Radio 4 presenter*
What Starritt gets vividly right, in a way I think no other fiction
has managed, is the editing process that is so central to the
success of any popular paper
*Guardian*
A pacy satire, and as an insider's account of the mechanics of
putting together a daily paper it has great "how stuff works"
appeal
*Sunday Telegraph*
Humorous and witty, satirising the tabloid press' nimble crafting
of salacious headlines and vilification of the working class.
However, it has much darker tones when Starritt explores how the
press manipulates an innocent situation into something much more
sinister... A wonderful novel and fans of dark, satirical fiction
will love it'
*Book and a Brew*
A savage satire on the tabloid newspaper. It's a worthy successor
to Evelyn Waugh and J. B. Priestley's efforts and it's as timely as
they were
*The Mike Robbins Blog*
An irresistible subject for a novel... Journalists will love it
[and] others too'
*Spectator.*
Reading this frenetic, comedic novel this old hack finds instant
recognition in the tension, cynicism and quick-wittedness of a
subs' desk... Starritt's novel thus reeks of authenticity right
down to the subs with their 8.5pt, indented pars and sweaty fear
and loathing. It has been described as a satire but I hesitate to
use that term because The Beast never strays far from reality...
Accurate, witty stuff... A brisk but cleverly constructed
narrative... [Starritt] is a writer and one worth keeping an eye
on'
*The National.*
[A] raucous satire on tabloid journalism... One of the most deft
portrayals of subbing ever to make print, and it is at its most
exhilarating when it lives in the moment, when, "like the flying
parts of a mechanical loom", the messy business of life is
transformed into regulation tabloid tropes: everyone in the paper
has to become a Tragic Schoolgirl, Dirty Doctor, or Criminal
Immigrant'
*TLS*
A page-turner of a novel which will have journalists nodding in
recognition, and non-journalists cringing in horror at the expert
manipulation of news stories, and the people who read them
*On Yorkshire*
In his first novel, [Starritt] proves that he is not only a very
funny writer, but possesses the ruthless unsentimentality of the
finest satirists
*The Sunday Times*
An immensely satisfying satire
*Sunday Times*
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