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PART ONE - HISTORY, TECHNOLOGY, AND A DETERMINIST MILIEU FOR HINDI FILM SONG; PART TWO - THE LIFE OF MUSIC IN THE MUMBAI FILM INDUSTRY; PART THREE - MUSIC, INSTRUMENTS, AND MEANING FROM MUSICIANS' PERSPECTIVES
After early training in western classical music, Gregory D. Booth began the study of North Indian tabla drumming with Ustad Zakir Hussain in 1977. He has published widely on South Asian classical music pedagogy, processional music, and Hindi film music. He is currently an Associate Professor in the Department of Anthropology at the University of Auckland.
Booth's inquiry is the first of its kind to embrace both film studies and studies on Indian film music ... and should be immensely useful to scholars of music, cinema studies and other social sciences. * Madhuja Mukherjee, Studies in Musical Theatre *