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The Best American Poetry 2019
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About the Author

David Lehman, the series editor of The Best American Poetry, is also the editor of the Oxford Book of American Poetry. His books of poetry include Poems in the Manner Of, New and Selected Poems, Yeshiva Boys, When a Woman Loves a Man, and The Daily Mirror. He lives in New York City and Ithaca, New York.

Major Jackson is the author of five books of poetry including the forthcoming collection The Absurd Man (Norton: 2020), Roll Deep (Norton: 2015), Holding Company (Norton: 2010), Hoops(Norton: 2006) and Leaving Saturn (University of Georgia: 2002), finalist of a National Book Critics Circle Award and winner of the Cave Canem Poetry Prize for a first book of poems. He is the editor of Library of America's Countee Cullen: Collected Poems. A recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Radcliffe Institute for Advanced Study at Harvard University, Major Jackson has been awarded a Pushcart Prize, a Whiting Writers' Award, and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has published poems and essays in Agni, American Poetry Review, The New Yorker, Orion Magazine, Paris Review, Ploughshares, and World Literature Today. Major Jackson lives in South Burlington, Vermont, where he is the Richard A. Dennis Professor of English at the University of Vermont. He serves as the Poetry Editor of The Harvard Review.

Reviews

The Best American Poetry series has become one of the mainstays of the poetry publication world. For each volume, a guest editor is enlisted to cull the collective output of large and small literary journals published that year to select 75 of the year's 'best' poems. The guest editor is also asked to write an introduction to the collection, and the anthologies would be indispensable for these essays alone; combined with [David] Lehman's'state-of-poetry' forewords and the guest editors' introductions, these anthologies seem to capture the zeitgeist of the current attitudes in American poetry."--Academy of American Poets "Washington Post"

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