James Traub has been a contributing writer for The New York Times Magazine--where he writes about international affairs, U.S. foreign policy, and national political issues--since 1998. He has written three books, including City on a Hill and The Devil's Playground. He lives in New York City.
"Engaging, nuanced, and often fascinating. The Best Intentions is proof that the phrase 'U.N. page-turner' is not hopelessly oxymoronic." --The Wall Street Journal "If you want to understand this vexing creature with its 192 heads, The Best Intentions is one of the finest guides around, indeed, the best in recent memory. . . . Beautifully written and meticulously researched." --The New York Times Book Review "One of the most definitive and accessible studies of the U.N. and its chief executive ever published." --Foreign Affairs "Fascinating . . . The book works, not just as a portrait of Annan but as one of the UN itself, in part because Annan personally encapsulates many characteristics of that inspiring but maddening organization." --Salon.com "A highly readable account of the infighting and drama that have gone on behind the scenes over the past fifteen years, along with often amusingly acerbic thumbnail sketches of several prominent characters." --The Economist
"Engaging, nuanced, and often fascinating. The Best Intentions is proof that the phrase 'U.N. page-turner' is not hopelessly oxymoronic." --The Wall Street Journal "If you want to understand this vexing creature with its 192 heads, The Best Intentions is one of the finest guides around, indeed, the best in recent memory. . . . Beautifully written and meticulously researched." --The New York Times Book Review "One of the most definitive and accessible studies of the U.N. and its chief executive ever published." --Foreign Affairs "Fascinating . . . The book works, not just as a portrait of Annan but as one of the UN itself, in part because Annan personally encapsulates many characteristics of that inspiring but maddening organization." --Salon.com "A highly readable account of the infighting and drama that have gone on behind the scenes over the past fifteen years, along with often amusingly acerbic thumbnail sketches of several prominent characters." --The Economist
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