Rona Jaffe was born in Brooklyn, New York, in 1931. She was
the daughter of Samuel Jaffe, a high school principal, and Diana
(née Ginsberg) Jaffe, the daughter of Moses Ginsberg, the
construction magnate who built the Carlyle Hotel. Rona was raised
on the Upper East Side of Manhattan and was a lifelong New Yorker.
She attended the Dalton School and gradufated from Radcliffe
College in 1951 at the age of 19. In her early twenties she worked
at Fawcett Publications, starting as a file clerk and working her
way up to associate editor. At twenty-five she quit her job to
focus on a novel she had started about women in the publishing
industry. In 1958 The Best of Everything was published by Simon &
Schuster. The work, provocative and prescient, hit a nerve among
readers, especially women, and became an overnight success and
bestseller. The following year a film adaptation was released
starring Joan Crawford, Hope Lange, Suzy Parker, and Diane Baker.
Jaffe went on to write sixteen more books during her career
including Class Reunion, Mr. Right Is Dead, The Other Woman, Family
Secrets, The Road Taken, and The Room-Mating Season. In 1995, she
established The Rona Jaffe Foundation Writers’ Awards, a program to
identify and support promising emergent women writers, which
provided over $3 million in grants during its 26-year history.
Jaffe’s legacy continues through her Foundation and its funding of
important areas of societal and cultural need. Rona Jaffe died of
cancer in 2005.
Rachel Syme is a staff writer for the New Yorker who
has covered fashion, style, and other cultural subjects since 2012.
Her cultural criticism and reported features—which focus primarily
on the intersections of women’s lives, artistic production,
history, and fame—have also appeared in the Times Magazine, Elle,
GQ, Grantland, New York, Vogue, Rolling Stone, Vanity Fair, and The
New Republic, among other publications. She grew up in Albuquerque,
New Mexico and now resides in Brooklyn.
“I finally picked it up recently and was blown away by Jaffe’s
sharp, fizzy writing; her pointed analysis of women’s roles and
restrictions; and her matter-of-fact depiction of sexual harassment
in the workplace decades before the Clarence Thomas hearings or
#MeToo...I had no idea that anyone in the ’50s was writing like
this.”
—Kirkus Reviews
“Jaffe… writes at the breakneck pace of a Sex and the City season
finale and with the wry knowingness of a Nora Ephron novel…it’s by
turns enraging and poignant to read this book with post-#MeToo
eyes, to appreciate how much women’s lives have changed in the
intervening decades and what’s at stake when our hard-won rights to
workplace equality and abortion care are threatened.”
—Forward
“Lively, delightful and heartbreaking… The book is not tawdry; it's
terrific…‘The Best of Everything’ seized the mood of the moment and
told the truth, and women by the millions devoured it. Sixty-five
years later, I did, too.”
—Star Tribune
“An incredibly pleasurable and devastating novel — do yourself a
favor and get a copy.”
—The Cut
“At no point in the story do [the characters] really ‘make it,’ but
in the meantime, they get as much from the world around them as
they possibly can, trying to wrangle proposals or free steaks or
promotions or raises out of the men who hold sway over their life.
The intensity of their desire, their desperation, is riveting.”
—The Atlantic
“Sixty years later, Jaffe’s classic still strikes a chord, this
time eerily prescient regarding so many of the circumstances
surrounding sexual harassment that paved the way toward the #MeToo
movement.”
—BuzzFeed
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