Olivia Goldsmith is the bestselling author of The First Wives Club, Flavor of the Month, Fashionably Late, The Bestsller, Marrying Mom, and Switcheroo. She lives in south Florida and is no longer young or a wife.
It is an old adage that books about publishing do not sell, because those likely to be most interested will beg, borrow or steal them rather than buy. In the case of the latest by Goldsmith (The First Wives Club) that would be a pity, because it is a highly entertaining tale with a good share of romance and drama, considerable humor and some cynical fun at the expense of the book business; there are many recognizable characters, and a number of real-life walk-ons. (There's even an index so book people can look themselves up, but be warned: it is not what it seems.) Goldsmith's busy plot‘which makes publishing seem as glamorous and crazy as fashion or the movies (settings for two of her previous books)‘offers four women with novels being considered by high-powered New York publisher Davis & Dash. There is an elderly romance queen with a fading readership; a proud mother trying to get someone to read a magnum opus by her dead daughter; a cool young Englishwoman who has penned a quirkily charming book about a busload of American tourists in Tuscany; and a desperate young woman whose devious husband is trying to steal all the credit for her true-crime roman à clef. Throw in a corrupt publisher doctoring the books to try to make his own sales look bigger, a nymphomaniac and alcoholic editor-in-chief, a staunch young editor and her lesbian agent friend, and you have the makings of a spicy literary stew. The only problem is that Goldsmith winds it all up in much too pat a fashion, with the villains getting their comeuppances and the good getting their happily-ever-after endings in quick, glib order. But, hey, no one expected New Grub Street. $175,000 ad/promo; author tour; film rights to Paramount; simultaneous audiocassette from HarperAudio. (Aug.) FYI: Diane Keaton, Bette Midler and Goldie Hawn are currently filming The First Wives Club.
Best-selling author Goldsmith here proposes to do for the publishing industry what she did for fashion in Fashionably Late and for Hollywood in Flavor of the Month. But Hollywood is still in the picture; Paramount has bought the rights for this new saga.
"Lots of romance and revenge."-- "Washington Post Book World""Great summer reading."-- "Cosmopolitan""You keep licking your fingers and reaching for the next page as if it were a potato chip."-- "Newsweek" "A mordantly dishy new novel that skewers the publishing industry and many of its real life movers and shakers."-- "Newsday" "This dishy roman a clef will serve as a clever parable about insecure writers, sharklike agents, and corrupt publishers."-- "Glamour"