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Between Still and Moving Images
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Laurent Guido, Olivier Lugon (University of Lausanne), Introduction 1. Founding Debates Laurent Guido, Introduction. The Paradoxical Fits and Starts of the New "Optical Unconscious"; Tom Gunning (University of Chicago), The "Arrested "Instant: Between Stillness and Motion; Maria Tortajada (University of Lausanne), Photography/Cinema: Complementary Paradigms in the Early 20th Century; Mireille Berton (University of Lausanne), " A Subjectivity Torn between Stasis and Movement: Still Image and Moving Image in Medical Discourse at the Turn of the 20th Century; Samantha Lackey (University of Manchester), 'A Series of Fragments': Man Ray's Le Retour a la raison (1923) 2. Crossings between Media Olivier Lugon, Introduction. Between the Photograph and the Film Frame; Clement Cheroux (Centre Georges Pompidou, Paris), The Great Trade of Tricks: On Some Relations Between Conjuring Tricks, Photography, and Cinematography; Kim Timby (Musee Niepce, Chalon-sur-Saone), "Cinema in a Single Photo": the Animated Screen Portrait of the 1910s; Valerie Vignaux (Universite Francois-Rabelais, Tours), The Patheorama Still Film (1921): Isolated Phenomenon or Paradigm?; Christel Taillibert (Universite Nice Sophia-Antipolis), The Mixed Use of Still and Moving Images in Education during the Interwar Period 3. Cinema and the Printed Page Olivier Lugon, Introduction. Cinema Flipped Through: Film in the Press and in Illustrated Books; Thierry Gervais (Ryerson University, Toronto), "The Little Paper Cinema": the Transformations of Illustration in Belle Epoque Periodicals; Myriam Chermette (Universite de Versailles, Saint Quentin-en-Yvelines), From Illustrated Narratives to Narratives in Images: Influences of the Moving Image on the French Daily Press in the Interwar Period; Michel Frizot (EHESS/CNRS, Paris), On Cinema Imaginary of Photography (1928-1930); Francois Albera (University of Lausanne), From the Cinematic Book to the Film-Book 4. Freeze Frames Laurent Guido, Introduction. Between Deadly Trace and Memorial Scansion: The Frozen Image in Film; David Forgacs (University College London), Photography and the Denarrativization of Cinematic Practice in Italy, 1935-55; Diane Arnaud (Universite Paris 7), After La Jetee: Cine-Photo Albums of the Disaster; Christa Blumlinger (Universite Paris 3), " Postcards in Agnes Varda's Cinema; Patricia Kruth (Universite de Lille), " Freeze Frame, Photograph, and Re-animation in Martin Scorsese's Films; Andre Habib (Universite de Montreal), Viva Paci (Universite du Quebec a Montreal), Photo Browse and Film Browse: Between Images that Move and Images that Remain (in Chris Marker's Work) 5. Contemporary Sequences Olivier Lugon, Laurent Guido, Introduction. Sequencing, Looping; Guillaume Le Gall (Universite Paris 4), The Suspended Time of Movement: Muybridge, a Model for Conceptual Art; Wolfgang Bruckle (University of Essex), Chronophotography of Another Order: Nan Goldin's Life Told in Her Slide Shows; Barbara Le Maitre (Universite Paris 3), Pensive Hybrids: On some of Raymond Depardon's Filmo-photographic Setups; Alain Boillat (University of Lausanne), The Paradoxical Status of the Referent of Stillness in Comics Biographical Notes on the Contributors/ Index

About the Author

Laurent Guido is Professor of Film History and Aesthetics at the University of Lausanne. Olivier Lugon is Professor of Art History at the University of Lausanne.

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