THE NUMBER ONE SUNDAY TIMES BESTSELLER- THE RETURN OF JACKSON BRODIE, 'LIKE ALL GOOD DETECTIVES, A HERO FOR MEN AND WOMEN ALIKE' (The Times) - a brilliant new literary crime novel from Kate Atkinson.
Kate Atkinson is one of the world's foremost novelists. She won the
Costa Book of the Year prize with her first novel, Behind the
Scenes at the Museum. Her three critically lauded and prizewinning
novels set around World War II are Life After Life, A God in Ruins
(both winners of the Costa Novel Award), and Transcription. She was
appointed MBE for services to literature in 2011.
Her bestselling literary crime novels featuring former detective
Jackson Brodie, Case Histories, One Good Turn, When Will There Be
Good News? and Started Early, Took My Dog became a BBC television
series starring Jason Isaacs. Jackson Brodie returns in her new
novel Big Sky.
The main plot...is dark and disturbing, but Atkinson brings wry
comic touches to the story as she both playfully inhabits and
deftly subverts the crime genre.
*Observer*
Big Sky is laced with Atkinson’s sharp, dry humour, and one of the
joys of the Brodie novels has always been that they are so
funny.
*Observer*
Atkinson weaves a magically absorbing world full of crossed paths
and coincidences. Her sublime turn of phrase, impeccable gallows
humour, beautifully drawn characters and complex plotting make for
a fabulously entertaining and moving book. It can be enjoyed as
either a standalone mystery or a very welcome reunion with an old
friend.
*Sunday Mirror*
A masterclass in what can be done with crime fiction, brilliantly
using the form to expose what Atkinson bleakly describes as 'one
more battle in the war against women'.
*Sunday Times*
Atkinson’s new mystery hits all the right notes
*Sunday Times Style*
Atkinson brings back her much-loved PI Jackson Brodie for a tightly
plotted tale...the real mystery here is the human heart, with
Atkinson serving up an acute and believable look at the state of
Britain today.
*i*
I romped through it: as ever, the plotting is clever and complex,
it’s full of the dry wit Atkinson is so good at and it’s an
absorbing mystery.
*Good Housekeeping*
There's a lot going on here, all of it rendered with Atkinson's
vastly enjoyable nonchalance...Atkinson tells a great story, toys
with expectations, deceives by omission, blows smoke and also
writes like she's your favourite friend. Thank goodness the long
Jackson Brodie hiatus is over.
*New York Times*
Atkinson throws in many entertaining diversions, and a fair few
juicy red herrings… an exuberant, entertaining read…Atkinson’s work
is always playful, and there’s a brisk, jaunty tone to Big Sky and
much dry observational comedy.
*Independent*
The brilliance of Big Sky lies in its broad range of memorable
characters, each with their own intriguing backstory.....sharp
humour,sparkling prose and acute psychological insight.
*Daily Express*
A stunning comeback... Told in Atkinson’s typically wry prose, it
is Dickensian in sweep, utterly riveting and has a wonderful
ending, quite magnificent.
*Daily Mail*
I can't get enough of Jackson Brodie...he may well be the great
fictional detective of our age...her bunch of seemingly ordinary
but deeply fascinating characters... seem so real that you come to
care about them like your oldest friends.
*Sunday Express*
As usual, it's ingeniously structured and told with humour and
compassion.
*New Statesman*
Her peerless ability to plot with audacity and with a sinuous
beauty...it's the most marvellous book, so delightful you'll want
to eke it out for as long as possible.
*Radio Times*
Jackson Brodie gets his fifth outing in the new novel by the
reliably brilliant Atkinson.
*Woman & Home*
You can't go wrong with the majestic new Kate Atkinson book...wise,
funny and sad.
*Stylist*
Jackson Brodie is back and how we’ve missed him….you’re in for a
treat.
*Red*
How can anyone fail to love Kate Atkinson?...A gripping beach read
for lovers of detective fiction.
*ES magazine*
Atkinson’s nimble and endearing skill across all her fiction…is to
take the determinedly domestic, find the wry, sometimes waspish
humour in it, and yet reveal something profoundly humane....And
deft misdirection, cheeky literary references and Brodie's flailing
attempts to offer sympathy by quoting country-and-western lyrics
are constantly entertaining. You finish Big Sky feeling battered -
but thoroughly cheered up.
*The Times*
With a many-tentacled storyline distilling some of the more
disturbing headlines of recent years, this dark material proves
supremely compulsive...Brodie brings out the best in Atkinson,
partly because he’s a handy peg for what tends to come across as
her regretful sense of bemusement about modern Britain.
*Metro*
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