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Joel Walker Sweeney was, in essence, the Elvis Presley of the 1840s. A professional banjo player, Sweeney introduced mainstream America to a music (and musical instrument) which had its roots in the transplanted black culture of the southern slave. Sweeney, an Irish-American born midway between Richmond and Lynchburg, Virginia, sampled African American music at a young age. He then added more traditional southern sounds to the music he heard, in essence creating a new musical form. The only avenue available to a professional banjo player was that of traveling minstrelsy shows and it was this route which Sweeney used to bring his music to the attention of the public. Beginning with the banjo's introduction to America and Great Britain, the book provides an overview of early banjo music. The volume then discusses the evolution of American minstrelsy (i.e., black face) and the opportunities it provided for artists such as Sweeney. Correcting previous fallacies and misconceptions (such as Sweeney's supposed development of the five-string banjo), the work discusses Sweeney's roots, his music and his contribution to the physical development of the instrument. An appendix contains a performance chronology. The work is also indexed.
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About the Author

Musician and writer Bob Carlin is the author of String Bands in the North Carolina Piedmont (2004). His articles have been published in Journal of Country Music and Bluegrass Unlimited. He lives in Lexington, North Carolina.

Reviews

"recommended"--Choice; "an important addition...Carlin presents his research and insights clearly, and tells the story of Sweeney and his role straighforwardly. Abundantly illustrated, handsomely designed, and very readable as well as scrupulously researched...invaluable"--Old-Time Herald; "recommend[ed]"--In The Groove Magazine; "well-researched...scrupulously notated...information is invaluable"--Bluegrass Unlimited; "carefully researched...indepth...a must-read...compelling"--Banjo Newsletter; "painstaking research...abundantly illustrated...the author is to be congratulated for his efforts to recover stories that are not readily accessible to scholars and twenty-first-century fans of the music"--The Journal of Southern History; "exhaustive...extensive research...a necessary addition...remarkable"--Sing Out!

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