James Lee Burke won the CWA/Macallan Gold Dagger for fiction for SUNSET LIMITED and the Edgar Award for CIMARRON ROSE His novels have sold over 300,000 copies in paperback to date All his most recent novels have been NEW YORK TIMES bestsellers 'BITTERROOT is never less than gripping...it is fine writing that is far above the crime fiction norm' SUNDAY EXPRESS 'It's powerful stuff and confirms Burke's place in the forefront of contemporary American crime fiction' SUNDAY TELEGRAPH 'Still the greatest, bar none ... there's nothing currently on show to match, let alone better, Burke's latest' LITERARY REVIEW 'BITTERROOT is beautifully written and still stands head and shoulders above most other crime fiction' OBSERVER
James Lee Burke is the author of many previous novels, including twelve featuring Detective Dave Robicheaux. He lives with his wife, Pearl, in Missoula, Montana and New Iberia, Louisiana.
James Lee Burke is the heavyweight champ, a great American novelist
whose work, taken individually or as a whole, is unsurpassed
*Michael Connelly*
Richly deserves to be described now as one of the finest crime
writers America has ever produced.
*Daily Mail*
The king of Southern noir
*Daily Mirror*
When it comes to literate, pungently characterised American crime
writing, James Lee Burke has few peers.
*Daily Express*
Gripping stuff from the great American crime writer
*OK Magazine*
Burke is the master of his material. His reflective style infuses
the book with a kind of sombre grace . . . As a thriller Bitterroot
is never less than gripping. The twists and turns of the plot are
deftly handled and he has an ear and an eye for nuance that allows
him to create characters which manage to be both credible and
archetypal, as if Burke is writing contemporary myths. The beauty
and wildness of the Montana countryside, lovingly and vividly
described, is both a fitting backdrop and a counterpoint to the
savagery of the characters. Burke's most recent books, especially
the Billy Bob Holland series, are powerful meditations on a wild,
rural America that seems little changed from the world evoked by
John Steinbeck. It is fine writing, that is far above the
crime-fiction norm and it manages to stand comparison with the very
best contemporary novels
*Sunday Express*
James Lee Burke's heroes are driven men, flawed by guilt and a deep
rate. His books depict a modern America which still lives by the
ideals of the old West . . . The beauty of Burke's lyrical writing
does not mask the ugliness of the story . . . It's powerful stuff
and confirms Burke's place in the forefront of contemporary
American crime fiction
*Sunday Telegraph*
Still the greatest, bar none . . . there's nothing currently on
show to match, let alone better, Burke's latest. His ambitions,
like his achievements, remain unequalled. When he reaches for the
top he shows every reader what's possible. Good gets better. The
best is yet to come
*Literary Review*
As ever the sense of place is overwhelming, as Burke's Texas lawyer
comes face to face with an old nemesis among the customary savage
mayhem
*Guardian*
The 19th book from the Pulitzer Prize nominee, Burke's talent for
weaving a compelling yarn will have readers glued to the pages
*FHM*
The hills and valleys, rivers and plains of the Bitterroot are
lyrically described but are also seen as places of great potential
danger . . . Bitterroot is beautifully written and still stands
head and shoulders above most other crime fiction
*Observer*
James Lee Burke could not write badly if he tried: his evocation of
the natural beauty of the mountain valley is brilliant, and some
individual scenes, heavy with unstated menace and latent violence,
are extremely powerful
*Evening Standard*
James Lee Burke is one of literature's finest cartographers of the
dark side of the human heart . . . As usual the plot is
labyrinthine, the characters lavishly drawn and Burke's writing
sensational - especially his rendering of Montana . . . there is
plenty here to enjoy, and if you manage to complete Bitterroot
without planning a trip to Montana then you must have already seen
Eden
*The Times*
The story itself is marvellously constructed but what makes
Bitterroot a marvel are the characters, including two fearsome
psychopaths, and the quality of Burke's writing . . . Bitterroot is
of exceptional quality, a must-read of which Rendell herself would
be proud
*Scotsman*
Burke's great strengths as a writer are in evident abundance here:
Bitterroot is densely plotted, full of narrative urgency and a
boiling anger at what the world has become and how vulnerable we
are to its violence . . . This is truly excellent stuff from a
stalwart of American crime writing
*Uncut*
Burke writes an intense, breathless prose that eminently suits his
tales of dark passion and disturbed emotions
*Irish Times*
How many bad guys can you fit into one crime novel? Too many, in the case of Bitterroot, Burke's latest Billy Bob Holland episode set in Missoula, MT. Violent bikers, West Coast mobsters, paramilitary types, indifferent agents of the Bureau of Alcohol, Tobacco, and Firearms, and corrupt mining company personnel all figure into this rather confusing and disjointed plot. The abridged format probably aggravates the problem. As usual, the author paints vivid pictures: his descriptions enable listeners to see the Montana scenery and feel emotions with the characters, who are interesting and complex. Narrator Will Patton effectively captures the mood of the book. Burke fans will want this, despite its flaws. Recommended for suspense/ mystery collections where Burke is popular. Christine Valentine, Davenport Univ., Kalamazoo, MI Copyright 2001 Cahners Business Information.
James Lee Burke is the heavyweight champ, a great American
novelist whose work, taken individually or as a whole, is
unsurpassed * Michael Connelly *
Richly deserves to be described now as one of the finest crime
writers America has ever produced. * Daily Mail *
The king of Southern noir * Daily Mirror *
When it comes to literate, pungently characterised American crime
writing, James Lee Burke has few peers. * Daily Express *
Gripping stuff from the great American crime writer * OK Magazine
*
Burke is the master of his material. His reflective style infuses
the book with a kind of sombre grace . . . As a thriller
Bitterroot is never less than gripping. The twists and turns
of the plot are deftly handled and he has an ear and an eye for
nuance that allows him to create characters which manage to be both
credible and archetypal, as if Burke is writing contemporary myths.
The beauty and wildness of the Montana countryside, lovingly and
vividly described, is both a fitting backdrop and a counterpoint to
the savagery of the characters. Burke's most recent books,
especially the Billy Bob Holland series, are powerful meditations
on a wild, rural America that seems little changed from the world
evoked by John Steinbeck. It is fine writing, that is far above
the crime-fiction norm and it manages to stand comparison with the
very best contemporary novels * Sunday Express *
James Lee Burke's heroes are driven men, flawed by guilt and a deep
rate. His books depict a modern America which still lives by the
ideals of the old West . . . The beauty of Burke's lyrical writing
does not mask the ugliness of the story . . . It's powerful
stuff and confirms Burke's place in the forefront of contemporary
American crime fiction * Sunday Telegraph *
Still the greatest, bar none . . . there's nothing currently
on show to match, let alone better, Burke's latest. His ambitions,
like his achievements, remain unequalled. When he reaches for the
top he shows every reader what's possible. Good gets better. The
best is yet to come * Literary Review *
As ever the sense of place is overwhelming, as Burke's Texas lawyer
comes face to face with an old nemesis among the customary savage
mayhem * Guardian *
The 19th book from the Pulitzer Prize nominee, Burke's talent for
weaving a compelling yarn will have readers glued to the
pages * FHM *
The hills and valleys, rivers and plains of the Bitterroot are
lyrically described but are also seen as places of great potential
danger . . . Bitterroot is beautifully written and still stands
head and shoulders above most other crime fiction * Observer *
James Lee Burke could not write badly if he tried: his evocation of
the natural beauty of the mountain valley is brilliant, and some
individual scenes, heavy with unstated menace and latent violence,
are extremely powerful * Evening Standard *
James Lee Burke is one of literature's finest cartographers of the
dark side of the human heart . . . As usual the plot is
labyrinthine, the characters lavishly drawn and Burke's writing
sensational - especially his rendering of Montana . . .
there is plenty here to enjoy, and if you manage to complete
Bitterroot without planning a trip to Montana then you must
have already seen Eden * The Times *
The story itself is marvellously constructed but what makes
Bitterroot a marvel are the characters, including two
fearsome psychopaths, and the quality of Burke's writing . . .
Bitterroot is of exceptional quality, a must-read of which Rendell
herself would be proud * Scotsman *
Burke's great strengths as a writer are in evident abundance here:
Bitterroot is densely plotted, full of narrative urgency and
a boiling anger at what the world has become and how vulnerable we
are to its violence . . . This is truly excellent stuff from a
stalwart of American crime writing * Uncut *
Burke writes an intense, breathless prose that eminently suits his
tales of dark passion and disturbed emotions * Irish Times *
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