About the Author

Connie H. Choi is the Associate Curator of the Permanent Collection at The Studio Museum in Harlem. Previously, she was Assistant Curator of American Art at the Brooklyn Museum.

Thelma Golden has become a driving force in the art world. Since disrupting the status quo with her 1994 exhibition, Black Male: Representations of Masculinity in Contemporary American Art, Golden has continued to create challenging dialogues around art and artists, making her one of the most respected curators in America. Golden took up a new challenge in 2000, joining the Studio Museum in Harlem and becoming executive director and chief curator in 2005.

Dr. Kellie Jones is Associate Professor in Art History and Archaeology and the Institute for Research in African American Studies (IRAAS) at Columbia University. Dr. Jones has received numerous awards for her work and in 2016 she was named a MacArthur Foundation Fellow. She is the author of two books published by Duke University Press, EyeMinded: Living and Writing Contemporary Art and South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (2017).

Reviews

"Comprised of over one hundred works by nearly eighty artists across all media dating from the 1920s to the present, Black Refractions surverys close to a century of creative achievements by artists of African descent and is the first traveling exhibition in twenty-five years to reveal the breadth and expansive growth of the Studio Museum's permanent collection." — ARTFIXDAILY.com

"The richly illustrated volume includes essays by Connie H. Choi and Kellie Jones; entries by a range of writers, curators and scholars (among them Lauren Haynes, Ashley James, Oluremi C. Onabanjo, Larry Ossei-Mensah and Hallie Ringle) who contextualize the works and provide detailed commentary; and a conversation among Choi, Thelma Golden, and Jones that draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent." —CHARLESTON CHRONICLE

"The touring exhibition Black Refractions is a comprehensive introduction into the broad repertoire of the collection at the Studio Museum of Harlem. From Malick Sidibe to Kerry James Marshall to the exquisite Barkley Hendrick’s Lawdy Mama featured on the book cover, the scale of the show is vast, yet not unwieldy. The accompanying book published by Rizzoli offers a notable dive into the museum’s history and status as one of the most exciting museums in today’s American artistic landscape." —TEETH MAGAZINE