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The Bloomsbury Handbook to Agatha Christie
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Table of Contents

Dedication

Foreword - Val McDermid

PART ONE: AGATHA CHRISTIE, THE WOMAN AND THE WRITER

Introduction, and a Chronology - Mary Anna Evans and J.C. Bernthal

My Grandmother, Agatha Christie - Mathew Prichard

PART TWO: CRITICAL APPROACHES

The Creative Impulse” and the Middlebrow Woman Detective Author - Rebecca Mills

Christie’s Clues as Information - Michelle M. Kazmer

Reading Agatha Christie Through A Feminist Lens - Mary Anna Evans

Queer Clues to Christie - J.C. Bernthal

Anthropocene and Archetype: Christie Does Ecocriticism - Susan Rowland

The Fabulous Flapper: Psychogeography and the Female Detective - Sarah Martin

Beit Agatha: Reading the Contemporary Middle East in Agatha Christie’s Novels - Nadia Atia

PART THREE – CHRISTIE AND SOCIETY
Christie and the Carnage of War - J.C. Bernthal

Of Race, Law, and Order: Colonial Ghosts in Agatha Christie’s And Then There Were None - Meta G. Carstarphen

Agatha Christie and the State - Mary Evans

House and Home: The Country House - Brittain Bright

Agatha Christie, The Law, and Justice - Mary Anna Evans

Christie and Christianity - J.C. Bernthal

Weapon of Choice: Poison, Christie, and the Golden Age of Detective Fiction - Kathryn Harkup

PART FOUR -- BEYOND THE CRIME NOVELS

Hiding in Plain Sight: The Mary Westmacott Novels - Merja Makinen

Christie’s Radio Broadcasts for the BBC - Vike Martina Plock

“A Glorious Gamble”: Agatha Christie and the Theater - Benedict Morrison

Film and Television Adaptations of Agatha Christie - Mark Aldridge

Legacies - Barbara Peters, with Martin Edwards, Rhys Bowen, Ragnar Jónasson, and L. Alison Heller

List of Plates

List of Figures

List of Contributors

Acknowledgements

Promotional Information

This is the first specifically academic companion to contemporary scholarship on the work of Agatha Christie, including chapters by an international group of scholars writing on topics and fields of study including ecocriticism and the anthropocene, popular modernism, middlebrow fiction, queer theory, feminism, crime and the state, and more.

About the Author

Mary Anna Evans is an Assistant Professor of Professional Writing at the University of Oklahoma, USA. Her fourteen crime novels have received recognition including the Benjamin Franklin Award and three Florida Book Awards bronze medals. She holds an MFA in creative writing and is a doctoral researcher at the University of Exeter. Her work has appeared in publications including Feminist Studies, The Atlantic, The Louisville Review, and CrimeReads.

J.C. Bernthal is Visiting Lecturer at Middlesex University, UK. His publications include Queering Agatha Christie, The Ageless Agatha Christie and, with Rebecca Mills, Agatha Christie Goes to War. Bernthal founded the annual international Agatha Christie conferences in 2014 and sits on the editorial boards of Crime Fiction Studies and Clues: A Journal of Detection. Bernthal won the Popular Culture Association’s Dove Award for crime fiction scholarship in 2020.

Reviews

With well-established approaches to Christie alongside hitherto understudied or new(er) approaches, the Handbook can serve as a starting point into Christie Studies, while it also presents innovative interpretations and an impressive amount of thorough research to non-newcomers to Christie.
*English Studies*

A thought provoking and stimulating read.
*Cross-Examining Crime*

Long known as crime fiction’s best-seller and finest puzzler, Agatha Christie has recently been also recognized as a real social analyst. In The Bloomsbury Handbook twenty-one experts, including Val McDermid, give intriguingly varied accounts of Christie the world-aware searching novelist.
*Stephen Knight, Honorary Research Professor, University of Melbourne, Australia.*

The volume will be of particular interest to scholars, especially for the extensive bibliographical apparatus after each chapter, while general readers attracted to Christie may be interested in discovering new dimensions that her seemingly familiar stories can open up.
*Forum for Modern Language Studies*

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