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Bollywood Dreams

Deriving its name from its American equivalent, Bollywood is the highly successful Indian movie industry predominantly based in Bombay and Madras. Every day more than 14 million people go to the cinema across India to watch films produced by this massive and powerful industry. In India, movies are not just a form of entertainment, they are practically a religion. Streets in major Indian cities are lined with colourful posters of Indian movies and their stars. Movie stars are treated like demi-gods, no match even for American standards of celebrity obsession. More than any other cultural or political institution of the 20th century, the cinema has captured the hearts and minds of India's growing population of almost one billion, even against the stark backdrop of the vast country's struggle with poverty and hunger and often tense Muslim-Hindu relations. The experience of actually going to the movies in India is as much a part of the Bollywood phenomenon as are the stars themselves and "Bollywood Dreams" documents this aspect of understanding the important role Bollywood plays in contemporary Indian culture. "Going to the cinema," Torgovnik says "is about going to see the actors larger-than-life. It is about living the glamorous life for a few hours and leaving your daily hardships behind". Once inside the movie theatres, the audience can expect at least three hours of entertainment including several song-and-dance numbers, love scenes, action sequences, and most surely a happy ending. Each film includes the necessary ingredients for success: action, violence, music, dance, romance and morals. The themes of the movies are often social issues like communalism, ethnicity, religion, and caste and the movie theatres themselves are often full of lively interaction between viewer and star. Cheers and boos pervade the atmosphere: the audience becomes a part of the film, and likewise, the film becomes a part of them. "Bollywood Dreams" begins with a vignette of the touring caravans that bring Bollywood on the big screen to India's villages in portable tents. We then follow the journey of the Bollywood film from its creation on the movie set, to the larger-than-life stars and directors, to the editing chamber, to the streets where ubiquitous promotional posters abound, and finally, we see the multitude of movie theatres in India. A brief timeline of important moments in Bollywood history is included in the back of the book.
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Table of Contents

INTRODUCTION Importance of Bollywood - PROLOGUE (Photographs only) The Touring Cinema - CHAPTER 1 (Photographs only) Action!: Filming/Editing/Preparation/Behind the Scenes - CHAPTER 2 (Photographs only) The Stars - CHAPTER 3 - In the Movie Theatre: Behind the Scenes in the Movie Theatre and the Audience - CHAPTER 4 (Photographs only) Adulation: Posters and Paraphernalia Against - Epilogue

About the Author

Photographer: Jonathan Torgovnik began his career as a combat photographer in the Israeli army. In 1992, he entered the photography department at the School of Visual Arts in New York where he graduated with a BFA degree and received an award for outstanding achievement in photography. Since graduation, Torgovnik's photographs have been published in numerous US and international publications including Newsweek (US), Forbes (US), The Independent Magazine (UK), Sunday Telegraph (UK), and Marie Claire, among others. Torgovnik has won several awards for his photographs including The Kodak Professional Award. His photographs have been exhibited in New York and Europe and have been acquired by such museums as The Museum of Fine Arts, Houston and The Jewish Museum, New York. Photographer's Residence: New York City Author: Nasreen Munni Kabir is a documentary filmmaker and author who has made several series for Channel 4 on Hindi cinema including How to make it Big in Bollywood and How to make a Bollywood Movie and is also the author of several books on India including Bollywood, the India Cinema Story. She was born in India and has lived most of her life in France and the UK. She was made a Governor of the BFI in January 2000. Author's Residence: London

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