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The latest in the bestselling series featuring fiction's original pathologist, Dr Kay Scarpetta.
Patricia Cornwell's first novel, POSTMORTEM, was published in 1990 and won five international awards. Her Scarpetta novels have since become number one bestsellers throughout the world. She has also published three police procedurals.
This just in: Kay Scarpetta seeks peace of mind by moving to Charleston, SC, and opening a forensic pathology practice. And then the sabotage begins. Copyright 2006 Reed Business Information.
'Classic Cornwell territory with...a sharp political element that will ensure the book isn't on George Bush's bedside table' Daily Express 'Serving up an Ace....Cornwell is firmly back on the money here.' Daily Mirror 'Patricia Cornwell is the queen of gritty, grisly, crime fiction writing and her latest offering doesn't disappoint. Book of the Dead will keep you gripped throughout' Heat "The reason we read novels about the forensic investigation of crime is not artistic decorum but a fascination with how things work. This is what Cornwell has always provided, and it is an area in which she does not disappoint." Times Literary Supplement 'Hannibal Lecter, eat your liver out. Tersely written, elaborately plotted and crammed with research, Cornwell's writing has always been hard-boiled - but this one would crack a paving stone if dropped.' The London Paper 'Vivid anatomical details and expert forensic knowledge come together in Cornwell's new thriller.' Herald
Bestseller Cornwell's 15th novel to feature Dr. Kay Scarpetta (after 2005's Predator) delivers her trademark grisly crime scenes, but lacks the coherence and emotional resonance of earlier books. Soon after relocating to Charleston, S.C., to launch a private forensics lab, Scarpetta is asked to consult on the murder of U.S. tennis star Drew Martin, whose mutilated body was found in Rome. Contradictory evidence leaves Scarpetta, the Italian carabinieri and Scarpetta's lover, forensic psychologist Benton Wesley, stumped. But when she discovers unsettling connections between Martin's murder, the body of an unidentified South Carolina boy and her old nemesis, the maniacal psychiatrist Dr. Marilyn Self, Scarpetta encounters a killer as deadly as any she's ever faced. With her recent switch from first- to third-person narration, Cornwell loses what once made her series so compelling: a window into the mind of a strong, intelligent woman holding her own in a profession dominated by men. Here, the abrupt shifts in point of view slow the momentum, and the reader flounders in excessive forensic minutiae. (Oct.) Copyright 2007 Reed Business Information.