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The Book of Lost Things 10th Anniversary Edition
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This tenth anniversary edition includes two new short stories - Cinderella, A Version and The Rat King, the latter introducing the Crooked Man who is central to the world of The Book of Lost Things - and an afterword from the author. 'Once upon a time, there was a boy who lost his mother . . .' As twelve-year-old David takes refuge from his grief in the myths and fairytales so beloved of his dead mother, he finds the real world and the fantasy world begin to blend. That is when bad things start to happen. That is when the Crooked Man comes. And David is violently propelled into a land populated by heroes, wolves and monsters in his quest to find the legendary Book of Lost Things.
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About the Author

John Connolly is author of the Charlie Parker mysteries, The Book of Lost Things, the Samuel Johnson novels for young adults and, with his partner, Jennifer Ridyard, co-author of the Chronicles of the Invaders. John Connolly's debut - EVERY DEAD THING - introduced the character of Private Investigator Charlie Parker, and swiftly launched him right into the front rank of thriller writers. All his subsequent novels have been Sunday Times bestsellers. He was the winner of the 2016 CWA Short Story Dagger for On the Anatomization of an Unknown Man (1637) by Frans Mier from NIGHT MUSIC: Nocturnes Vol 2. In 2007 he was awarded the Irish Post Award for Literature. He was the first non-American writer to win the US Shamus award and the first Irish writer to win an Edgar award. BOOKS TO DIE FOR, which he edited with Declan Burke, was the winner of the 2013 Anthony, Agatha and Macavity awards for Best Non-Fiction work.

Reviews

Charming, disturbing and outrageously imaginative. A tremendously exciting change of pace. * Lawrence Jackson, Producer of BBC Radio 4's adaptations of John Connolly's short stories * The book's epic villainy, mournful tone and tested morality is the essence of Connolly. Worst of all is the Crooked Man, who ranks with the Travelling Man, the Collector and even Mr Pudd among Connolly's most memorable villains. 'THE BOOK OF LOST THINGS is peculiar and perverse and humane, with an incredibly lyrical finale. * The Irish Times * It's imaginative, funny, sad and profound - fairy tales within a fairy tale, a child's adventure, a fantasy journey; it's about growing old and has the last word on dying . . . Each re-reading still brings a sigh and a moment of reflection. * Radio Times * A new interpretation of old fairy tales, it is imaginative and beautifully written. * Choice * John Connolly has a cult following for his crime novel and can clearly plot twists and turns. He has applied that talent to his own life by producing a very different book . . . a highly original novel using stories that we all know. But think twice before reading his version of Hansel and Gretel to your kids. * The Times * A powerful, powerful writer. I got a very real chill down my spine. This is an amazing book. -- Jeffery Deaver A moving fable, brilliantly imagined, about the agony of loss and the pain of young adulthood. * The Times * The material is grim and gripping, but this remains a poignant and imaginative evocation of the distress of losing a loved one. * Daily Telegraph * Connolly imagines the emotional cave-in of puberty intelligently, even perceptively * Guardian * Engaging, magical, thoughtful read * Independent * What gives THE BOOK OF LOST THINGS such a chilling edge is the way the real and illusory worlds sit so comfortably together . . . and the most wicked of the wicked, who goes by the name of The Crooked Man, at times possesses the kind of guile and plausibility of which modern-day politicians would be proud . . . Even if you aren't normally drawn to stories in which the imagination is given such a free rein, there is something tender, something strangely moving about David's experience of the land called Elsewhere. * Daily Express * This is no saccharine fairytale, but an eerie fable that's perfect for long winter nights * Daily Mail * Here Connolly steps directly into the enchanted forest, and the journey along its twisting path is as sinister and unsettling as anything invented by the Brothers Grimm . . . Connolly's control of this material is superb; tension, terror and gallows humour make the book a gripping read. But this allegorical coming-of-age story also cleverly shows the way that traditional stories have been used to reflect the sometimes harsh concerns of our world. -- Eithne Farry * Daily Mail * Brilliantly creepy coming of age novel. * Mirror *

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