While each play in the Bérenger cycle is unique, they are all prime examples of Ionesco’s conception of the theatre of the absurd, and touch on themes that preoccupied Ionesco throughout his career, such as mortality, alienation, freedom and the evils of Fascism. This volume constitutes a perfect introduction to one of the twentieth century’s most original and influential playwrights.
Born in Romania, Eugène Ionesco (1909–94) became one of France’s foremost practitioners of avant-garde theatre.
If life is absurd for Eugène Ionesco, it is also alluring. His
capacity for delight in the details of human existence struggles
with his conviction of its futility; it lends depth and verve to
his despair.
*The New York Times*
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