Hannah Kent was born in Adelaide in 1985. She is the co-founder and publishing director of Australian literary journal Kill Your Darlings. In 2011 she won the inaugural Writing Australia Unpublished Manuscript Award. She is the author of Burial Rites and The Good People.
'An accomplished gem, its prose as crisp and sparkling as its northern setting.' Geraldine Brooks, author of Year of Wonders 'Exceptionally powerful and original ... Hannah Kent skilfully conjures up the daunting landscape of the country, in which individuals, dwarfed by their surroundings, must always struggle to survive.' BBC History Magazine 'Vividly descriptive ... beautifully written, thoughtfully presented and utterly memorable.' Choice Magazine 'Remarkable ... extraordinary ... Burial Rites is thought-provoking and often deeply moving ... Beautifully written, this is a novel that will draw you in and touch your heart. Agnes will stay with you long after the last page has been turned.' Daily Express 'A story of swirling sagas, poetry, bitterness, claustrophobia, the adversity of the seasons, and of almost existential loneliness. The seasons pass, beautifully observed ... Kent's heart-racing imagery lingers ... [she] portrays the harsh existence of these rural, highly literate people with exactitude; and even the bleakness of Agnes's end, its gut-churning fear, holds an exhilaration that borders on the sublime.' Daily Telegraph 'Hannah's rendering of Agnes Magnusdottir is as vivid and authentic as Mailer's Gary Gilmore, but done with greater economy and aplomb. She has resurrected her heroine with grace and skill; her writing style is innately lyrical and her descriptions are clear and beautifully constructed. Her dialogue is entirely believable, a thing not easily done. Some writers never get it right; Hannah has done it with seeming effortlessness in her first novel. Burial Rites is an amazing book. I was completely engrossed all the way through, and heartbroken at its end.' Donal Ryan, Man Booker longlisted author of The Spinning Heart 'Haunting ... startlingly vivid, a poetic reimagining of a world where "autumn fell upon the valley like a gasp" ... Kent skilfully ratchets up the sense of antagonism towards Agnes but also builds a recognisable picture of ordinary family life confronting extraordinary events ... This is a tormented tale of love and betrayal and divided loyalties recounted with heartfelt honesty ... An exceptional debut.' Eithne Farry, Sunday Express 'This dark thriller from Hannah Kent is a must-read ... Gripping.' Grazia 'Haunting and beautiful' Independent: 50 Best Beach Reads 'A deeply compelling debut; gripping yet lyrical.' Irish Examiner 'A darkly gothic romance, a love song to the bleak beauty of Iceland, and a moving eulogy to a woman who had the odds stacked against her.' Irish Examiner 'An outstandingly good debut ... I found myself spellbound ... Kent has done a great deal of research and transformed its results into a work of art.' Literary Review 'An intriguing scenario' Mail on Sunday 'A beautifully written and haunting story.' Kate Mosse, Mail on Sunday Event magazine 'This amazing debut has literary prize written all over it ... [and] all the hallmarks of a brooding Nordic noir' Marie Claire 'A gripping tale.' New York Times 'All this research has paid off in spades: the end result is a novel so steeped in period detail that the extracts lifted from original sources sit eloquently alongside the fictionalised account, the transition between the two being effortlessly smooth ... Burial Rites is a debut of rare sophistication and beauty -- a simple but moving story, meticulously researched and hauntingly told.' Observer 'A gripping narrative of love and murder that inhabits a landscape and time frame as bleak and unforgiving as the crime and punishment that occurred there.' San Francisco Chronicle 'Startlingly vivid ... This is a tormented tale of love and betrayal and divided loyalties recounted with heartfelt honesty ... An exceptional debut.' Sunday Express 'A highly impressive debut ... Despite the fact that we know Agnes's fate from the outset, the power of the writing makes her story utterly compelling, and Kent skilfully leads us to question the extent of Agnes's guilt throughout. In the process she paints a vivid, if bleak picture of the society.' Sunday Herald 'A story of swirling sagas, poetry, bitterness, claustrophobia ... through the long countdown towards Agnes's fate, it is Kent's heart-racing imagery that lingers ... even the bleakness of Agnes's end, its gut-churning fear, holds an exhilaration that borders on the sublime.' Sunday Telegraph 'A remarkable achievement ... Burial Rites will stand comparison with Margaret Atwood's Alias Grace and Peter Carey's True History of the Kelly Gang.' Sunday Times 'This is a truly powerful novel, beautifully written ... Desolate but brilliant.' The Lady 'A haunting and immersive debut.' The List 'Kent is an Australian, but her beautiful first novel has the extraordinary setting of Iceland in the 1820s ... a wonderfully strange and haunting story.' The Times 'Compelling' Woman & Home 'Burial Rites is beautiful and compelling ... it's the announcement of a writer to watch.' Guardian 'The debut that everyone's talking about' Guardian 'A haunting, accomplished debut.' Psychologies 'Based on the true story of the last woman to be executed in Iceland, Burial Rites is an incredibly moving novel and Hannah Kent evokes the harsh tundras of Iceland and the desolation of a powerless young woman living out her last days in a masterful way.' Stylist.co.uk 'Top 10 Must Reads of August' 'One of the best "Scandinavian" crime novels I have read ... this powerful book has the stark and tragic trajectory of the sagas ... Hannah Kent's prose is extraordinarily terse and precise as she tells the story from several different viewpoints ... and the cruelty of human beings is described with vivid intensity. Yet the beauty and fascination of this way of life is movingly portrayed, as is the spirit of its highly literate people. Kent's immersion in Icelandic lore seems total, though she came from the other side of the world. Great stories are universal.' Independent 'This is a golden age both of historical fiction and of crime writing. A rare novel that combines both, this is one of the most gripping, intriguing and unique books I've read this year. Set in the harsh landscape of Iceland in the 19th century, it is a novel that bristles with beautiful description, that lays bare the harshness of women's lives of the period and considers the nature of justice.' Kate Mosse 'A compelling read, heartbreaking and uplifting in equal measure.' Anne Berry, author of The Hungry Ghosts 'Gorgeous and haunting, Burial Rites will touch your heart.' Charlotte Rogan, author of The Lifeboat 'So gripping I wanted to rush through the pages, but so beautifully written I wanted to linger over every sentence. Hannah Kent's debut novel is outstanding.' Madeline Miller, Orange Prize-winning author of The Song of Achilles 'Hannah Kent has crafted a genre all her own. Burial Rites is both a compelling thriller and a profound meditation on a mythic landscape.' Annabel Lyon, author of The Golden Mean 'Spell-binding and moving, it's the kind of novel that gets under your skin, moves your blood, your heart.' Megan Abbott, author of The End of Everything and Dare Me 'With language flickering, sparkling and flashing like the northern lights ... A magical exercise in artful literary fiction' Kirkus starred review 'Burial Rites, Kent's compelling fictionalised account of the end days of Agnes Magnusdottir ... with its glimpse into icy frontier lands, the struggles of a farming peasantry, the looming shadow of an executioner's axe and a strong, if misunderstood, female character ... uses extracts from the historical records to stitch together a credible account of a woman more victim than villain.' Age 'The most talked about Australian debut novel in years. Burial Rites reimagines the life and death of Agnes Magnusdottir, the last woman to be executed in Iceland.' Australian 'Hannah Kent has a fine turn of phrase ... that makes Agnes Magnusdottir, the central figure in her debut novel, both elusive and captivating ... Kent is to be commended for being drawn to a story and a character rather than any narrow cultural agenda. Burial Rites is far removed from us in time and place and, ironically, this fact makes it an intimate experience. It draws close to the bones and sinews of human experience as it gives voice to a yearning for more than the law can provide.' Sydney Morning Herald 'This compelling, ripped-from-real-life tale reminds me of Margaret Atwood's Alias Grace' Karin Slaughter, best-selling author of Kisscut